"I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films"
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Taymor is quietly puncturing the myth of the film director as the ultimate auteur. Her point is practical on the surface - theater takes more rehearsal because you have to hold an audience in one room for two or three hours - but the subtext is a defense of live performance as the more demanding moral contract. In film, attention can be engineered: cutaways, close-ups, coverage, music cues, the mercy of editing. In theater, there is no rescue operation waiting in postproduction. You earn endurance in real time.
The phrase "get people to stay" is telling. It frames theater not as a prestige format but as an act of retention, almost customer service under pressure. Theater asks actors to carry the whole evening on their bodies and voices, with no second take, no continuity patching. That requirement changes the director's job from assembling moments to cultivating stamina, listening, ensemble rhythm. "More talk" isn't small talk; it's the shared language you need when the work can't hide behind the camera. Rehearsal becomes the infrastructure of trust.
Context matters: Taymor is one of the rare directors who moves between Broadway-scale spectacle and cinema, and she knows how each medium disciplines creativity. Her comparison isn't nostalgia; it's a reminder that theatrical detail isn't fussiness. It's survival. Film can capture lightning. Theater has to manufacture weather, night after night, with the same people standing in front of you, daring you to look away.
The phrase "get people to stay" is telling. It frames theater not as a prestige format but as an act of retention, almost customer service under pressure. Theater asks actors to carry the whole evening on their bodies and voices, with no second take, no continuity patching. That requirement changes the director's job from assembling moments to cultivating stamina, listening, ensemble rhythm. "More talk" isn't small talk; it's the shared language you need when the work can't hide behind the camera. Rehearsal becomes the infrastructure of trust.
Context matters: Taymor is one of the rare directors who moves between Broadway-scale spectacle and cinema, and she knows how each medium disciplines creativity. Her comparison isn't nostalgia; it's a reminder that theatrical detail isn't fussiness. It's survival. Film can capture lightning. Theater has to manufacture weather, night after night, with the same people standing in front of you, daring you to look away.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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