"I have done so much: modeling, acting, singing, the calendar, the lingerie line, and there have been times where I have wanted to give up but I went for it"
About this Quote
Caprice Bourret’s list reads like a CV and a confession at the same time: “modeling, acting, singing, the calendar, the lingerie line.” It’s not modesty; it’s brand architecture. The intent is to frame ambition as endurance, and to turn a career that’s often dismissed as “just modeling” into a portfolio of hustle. By rattling off categories, she’s quietly arguing that visibility is work, reinvention is work, and staying in the conversation is a job with no benefits and plenty of hecklers.
The subtext sits in that one oddly specific item: “the calendar.” That’s a nod to a certain late-’90s/early-2000s glamour economy where women were asked to sell sex appeal as “empowerment” while being treated as disposable content. Naming it outright is a way of owning it before anyone else can sneer. The lingerie line lands similarly: not just being the product, but trying to become the producer.
“There have been times where I have wanted to give up but I went for it” is motivational on the surface, but culturally it’s defensive. She’s preempting the familiar story the public tells about models who “try” to do other things. The sentence insists on seriousness without asking permission: yes, the gatekeepers laughed, yes, the scrutiny was personal, yes, she kept moving anyway. It works because it’s a survival narrative in the language of self-promotion - an industry reality translated into a punchy, sellable ethos.
The subtext sits in that one oddly specific item: “the calendar.” That’s a nod to a certain late-’90s/early-2000s glamour economy where women were asked to sell sex appeal as “empowerment” while being treated as disposable content. Naming it outright is a way of owning it before anyone else can sneer. The lingerie line lands similarly: not just being the product, but trying to become the producer.
“There have been times where I have wanted to give up but I went for it” is motivational on the surface, but culturally it’s defensive. She’s preempting the familiar story the public tells about models who “try” to do other things. The sentence insists on seriousness without asking permission: yes, the gatekeepers laughed, yes, the scrutiny was personal, yes, she kept moving anyway. It works because it’s a survival narrative in the language of self-promotion - an industry reality translated into a punchy, sellable ethos.
Quote Details
| Topic | Never Give Up |
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