"I have found life an enjoyable, enchanting, active, and sometime terrifying experience, and I've enjoyed it completely. A lament in one ear, maybe, but always a song in the other"
About this Quote
O'Casey refuses the prestige of gloom. Even with "terrifying" on the table, the sentence is engineered to keep despair from getting the last line. The rhythm does the work: "enjoyable, enchanting, active" stacks brightness until "sometime terrifying" arrives almost as a parenthetical concession, not the thesis. It's the voice of a playwright who understands pacing - you let the darkness enter, but you control when the audience gets to breathe.
The pivot is in the image that follows: "A lament in one ear... always a song in the other". It's not naive optimism; it's a deliberate split-screen. Ireland in O'Casey's lifetime was a country of laments with receipts: poverty, the Easter Rising, civil war, sectarian pressure, and the moral policing of respectability. His plays (especially the Dublin trilogy) are full of that double audio track - grief next to banter, lyric tenderness beside blunt survival. The line reads like a defense of his artistic method as much as his temperament: tragedy is real, but so is the stubborn, often comic human capacity to keep singing anyway.
"Found" matters too. He's not claiming life is inherently enchanting; he's reporting a discovery, an earned posture. And "enjoyed it completely" is a mild provocation, the kind O'Casey liked: a refusal to perform suffering as virtue. The subtext is almost political - joy as resistance, song as a way of not letting history turn you into a single-note witness.
The pivot is in the image that follows: "A lament in one ear... always a song in the other". It's not naive optimism; it's a deliberate split-screen. Ireland in O'Casey's lifetime was a country of laments with receipts: poverty, the Easter Rising, civil war, sectarian pressure, and the moral policing of respectability. His plays (especially the Dublin trilogy) are full of that double audio track - grief next to banter, lyric tenderness beside blunt survival. The line reads like a defense of his artistic method as much as his temperament: tragedy is real, but so is the stubborn, often comic human capacity to keep singing anyway.
"Found" matters too. He's not claiming life is inherently enchanting; he's reporting a discovery, an earned posture. And "enjoyed it completely" is a mild provocation, the kind O'Casey liked: a refusal to perform suffering as virtue. The subtext is almost political - joy as resistance, song as a way of not letting history turn you into a single-note witness.
Quote Details
| Topic | Life |
|---|---|
| Source | Help us find the source |
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