"I have grown in my writing and I care about it now and I know how important it is to write stuff"
About this Quote
There is something almost disarmingly bare-bones about Charles King admitting, in plain language, that he only now “cares” about writing and understands “how important it is.” For a politician, that’s less a craft confession than a power confession. Writing isn’t a decorative skill in public life; it’s the machinery that turns values into policy, slogans into legislation, and empathy into something that can survive committee edits. By framing his growth as personal maturation rather than strategic polish, King tries to launder ambition through humility.
The repetition does a lot of work. “I have grown... I care... I know...” reads like a three-step conversion narrative: from competence, to commitment, to conviction. It’s meant to signal authenticity at a moment when audiences distrust rehearsed eloquence. The slightly awkward phrase “write stuff” is also a tell. It lowers the temperature, making the statement feel unscripted, anti-elite, like he’s talking to normal people rather than donors or journalists. That casualness is itself a rhetorical move: the politician presenting himself as still learning, still human, still reachable.
Contextually, this kind of line often lands around a pivot: a new role, a higher office, a scandal, or a realization that messaging isn’t optional anymore. It hints that earlier writing may have been delegated, improvised, or treated as mere comms. Now it’s framed as responsibility. The subtext is blunt: words will be his record, and he intends to own them before they own him.
The repetition does a lot of work. “I have grown... I care... I know...” reads like a three-step conversion narrative: from competence, to commitment, to conviction. It’s meant to signal authenticity at a moment when audiences distrust rehearsed eloquence. The slightly awkward phrase “write stuff” is also a tell. It lowers the temperature, making the statement feel unscripted, anti-elite, like he’s talking to normal people rather than donors or journalists. That casualness is itself a rhetorical move: the politician presenting himself as still learning, still human, still reachable.
Contextually, this kind of line often lands around a pivot: a new role, a higher office, a scandal, or a realization that messaging isn’t optional anymore. It hints that earlier writing may have been delegated, improvised, or treated as mere comms. Now it’s framed as responsibility. The subtext is blunt: words will be his record, and he intends to own them before they own him.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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