"I have improved the way in which I paint. The colours are cleaner and there is more energy in the brush work"
About this Quote
Self-critique is the closest thing the early-modern art world has to a progress report, and John Dyer’s is tellingly practical. He’s not announcing a new philosophy of beauty or a grand rupture with tradition; he’s staking a claim to competence, momentum, and professional ascent. “Improved the way in which I paint” reads like an artist watching his own hand with the cool attention of a craftsperson. That matters in an era when painting is still tethered to patronage, reputation, and the slow churn of academies and exhibitions: advancement isn’t just aesthetic, it’s economic.
The specifics do the real work. “Colours are cleaner” signals more than brighter pigment. It implies discipline: better mixing, fewer muddy midtones, tighter control over oil and varnish, an eye trained to keep hues distinct rather than letting them collapse into brownish haze. “Cleaner” is a moral word as much as a technical one, the language of refinement and taste that 18th-century Britain increasingly prized.
Then he pivots to motion. “More energy in the brush work” is a bid for vitality - a refusal to be merely correct. Energy suggests speed, confidence, and a surface that shows its making. It hints at a culture beginning to value not only the finished illusion but the visible trace of the artist’s mind and body at work. Dyer’s subtext is ambition: he’s aligning himself with a livelier, more modern sensibility while assuring viewers (and patrons) that the liveliness is earned, not sloppy.
The specifics do the real work. “Colours are cleaner” signals more than brighter pigment. It implies discipline: better mixing, fewer muddy midtones, tighter control over oil and varnish, an eye trained to keep hues distinct rather than letting them collapse into brownish haze. “Cleaner” is a moral word as much as a technical one, the language of refinement and taste that 18th-century Britain increasingly prized.
Then he pivots to motion. “More energy in the brush work” is a bid for vitality - a refusal to be merely correct. Energy suggests speed, confidence, and a surface that shows its making. It hints at a culture beginning to value not only the finished illusion but the visible trace of the artist’s mind and body at work. Dyer’s subtext is ambition: he’s aligning himself with a livelier, more modern sensibility while assuring viewers (and patrons) that the liveliness is earned, not sloppy.
Quote Details
| Topic | Art |
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