"I have lots of other mountains that I would like to climb. I have no dream of Everest, but there are some, like Mount Fuji, I'd like to do"
About this Quote
Ambition, here, is deliberately de-glamorized. Christy Turlington takes the most culturally overdetermined mountain on Earth and shrugs at it. “I have no dream of Everest” isn’t false modesty; it’s a refusal to let one prestige object define the story. In a culture that treats Everest like the final boss of self-actualization, she’s choosing a different metric: not the loudest achievement, but the one that fits her.
The phrasing matters. “Lots of other mountains” turns aspiration into a practice, not a single headline. It’s also a neat inversion of how models are often framed: as people who peak early, live on a narrow runway, then coast. Turlington’s line quietly insists on multiplicity. She’s not trying to be “the model who climbed Everest.” She’s a person with a long list.
There’s subtext in the naming of Mount Fuji. Fuji carries symbolism, pilgrimage energy, and aesthetic meaning; it’s a mountain you climb with an eye toward experience rather than conquest. Everest, in contrast, has become a spectacle of money, risk, and Instagram-proofed suffering. By rejecting it, she sidesteps the macho, colonial-tinged narrative of “summiting” as domination and chooses something more inward: a challenge that doesn’t require turning the world’s most famous peak into a personal brand.
Coming from a supermodel, the statement lands as a reorientation of aspiration itself: less about the apex everyone recognizes, more about the climbs that quietly re-make you.
The phrasing matters. “Lots of other mountains” turns aspiration into a practice, not a single headline. It’s also a neat inversion of how models are often framed: as people who peak early, live on a narrow runway, then coast. Turlington’s line quietly insists on multiplicity. She’s not trying to be “the model who climbed Everest.” She’s a person with a long list.
There’s subtext in the naming of Mount Fuji. Fuji carries symbolism, pilgrimage energy, and aesthetic meaning; it’s a mountain you climb with an eye toward experience rather than conquest. Everest, in contrast, has become a spectacle of money, risk, and Instagram-proofed suffering. By rejecting it, she sidesteps the macho, colonial-tinged narrative of “summiting” as domination and chooses something more inward: a challenge that doesn’t require turning the world’s most famous peak into a personal brand.
Coming from a supermodel, the statement lands as a reorientation of aspiration itself: less about the apex everyone recognizes, more about the climbs that quietly re-make you.
Quote Details
| Topic | Mountain |
|---|---|
| Source | Help us find the source |
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