"I have my faults, but changing my tune is not one of them"
About this Quote
Stubbornness rarely gets such a clean, self-canceling halo. Beckett’s line turns what could be a confession into a dare: yes, I’m flawed, but at least my flaws are consistent. The phrasing is almost bureaucratic in its calm - “I have my faults” sounds like a box ticked on a form - then it pivots into a perverse badge of honor. “Changing my tune” carries the everyday sting of fickleness, opportunism, saying whatever keeps you fed. Beckett rejects that kind of flexibility, but the punchline is that he does it in a way that feels less heroic than grimly inert.
The subtext is Beckett’s great subject: the human being as a creature trapped in repetition, narrating the same old mess with minor variations. In his plays, characters don’t develop so much as persist. They return to routines, memories, and verbal loops because movement itself is suspect; progress is often just another story we tell to make stasis feel purposeful. So when the speaker claims consistency, it’s not necessarily integrity. It’s compulsion.
Context matters: Beckett wrote in the shadow of European catastrophe and the failure of grand “tunes” - ideologies, national myths, redemption narratives. The line can read as an anti-conversion testimonial: don’t expect epiphanies here. It also pricks the modern cult of reinvention. Beckett’s wit is that he makes constancy sound both admirable and damning, the last refuge of a self that can’t - or won’t - become anyone else.
The subtext is Beckett’s great subject: the human being as a creature trapped in repetition, narrating the same old mess with minor variations. In his plays, characters don’t develop so much as persist. They return to routines, memories, and verbal loops because movement itself is suspect; progress is often just another story we tell to make stasis feel purposeful. So when the speaker claims consistency, it’s not necessarily integrity. It’s compulsion.
Context matters: Beckett wrote in the shadow of European catastrophe and the failure of grand “tunes” - ideologies, national myths, redemption narratives. The line can read as an anti-conversion testimonial: don’t expect epiphanies here. It also pricks the modern cult of reinvention. Beckett’s wit is that he makes constancy sound both admirable and damning, the last refuge of a self that can’t - or won’t - become anyone else.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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