"I have never quite grasped the worry about the power of the press. After all, it speaks with a thousand voices, in constant dissonance"
About this Quote
Sevareid’s dismissal of press “power” is less naive than it sounds; it’s a veteran reporter’s jab at a convenient political myth. “The press” is often treated like a single, coordinated actor - a shadow cabinet with a printing press. Sevareid punctures that caricature with one blunt observation: the media is structurally incapable of unanimity. A thousand voices, by design, do not march in step. They bicker, compete, correct, plagiarize, contradict, and chase different incentives. The “constant dissonance” isn’t a bug; it’s the feature that keeps the whole apparatus from becoming the monolith critics imagine.
The intent is twofold. First, it’s a defense of pluralism: if you’re worried about concentrated influence, look at ownership, access, and government secrecy, not at the messy noise of competing outlets. Second, it’s a rebuke to those who blame “the press” when they really mean “coverage I don’t like.” Dissonance becomes a kind of alibi for democracy: no single narrative can fully win because rival narratives are always arriving on the next edition, broadcast, or wire.
Context matters. Sevareid came up in the era when broadcast news was consolidating cultural authority, yet still tethered to print rivals and local reporting. In that mid-century ecosystem, credibility was hard-won and fragile, and the loudest fear wasn’t that journalists had too much power, but that they might become too cozy with the powerful. His line quietly flips the anxiety: the press’s greatest strength is its internal argument, and its greatest weakness is the same thing.
The intent is twofold. First, it’s a defense of pluralism: if you’re worried about concentrated influence, look at ownership, access, and government secrecy, not at the messy noise of competing outlets. Second, it’s a rebuke to those who blame “the press” when they really mean “coverage I don’t like.” Dissonance becomes a kind of alibi for democracy: no single narrative can fully win because rival narratives are always arriving on the next edition, broadcast, or wire.
Context matters. Sevareid came up in the era when broadcast news was consolidating cultural authority, yet still tethered to print rivals and local reporting. In that mid-century ecosystem, credibility was hard-won and fragile, and the loudest fear wasn’t that journalists had too much power, but that they might become too cozy with the powerful. His line quietly flips the anxiety: the press’s greatest strength is its internal argument, and its greatest weakness is the same thing.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
More Quotes by Eric
Add to List


