"I have no problem with nudity. I can look at myself. I like walking around nude. It doesn't bother me. I see all the people walking around nude; it doesn't bother me"
About this Quote
Andress delivers her comfort-with-nudity line with the breezy steadiness of someone refusing to act ashamed on cue. Coming from the actress whose body was treated as both spectacle and brand-making shorthand in the early Bond era, the statement works less as provocation than as boundary-setting: she’s framing nudity as mundane, not momentous. The repetition of “it doesn’t bother me” is doing real labor here. She’s not trying to sound philosophical; she’s trying to shut down a cultural script that insists a naked woman must be either scandalous, victimized, or performing for approval.
The intent feels practical: reclaiming authorship over the image the camera, the press, and the male gaze tried to own. “I can look at myself” is a quiet flex of self-recognition, almost a preemptive rebuttal to the audience that wants her to internalize their scrutiny. She’s describing a mental posture: if she can meet her own body without flinching, why should strangers get to define it as a crisis?
Context matters. Mid-century European cinema and Hollywood both traded on nudity as a publicity engine, but rarely granted actresses the dignity of saying, simply, “This is my body, and it’s not a scandal.” By shifting the focus to “all the people” walking around nude, Andress normalizes what’s usually fetishized. The subtext is a refusal of moral drama: if nudity can be ordinary, then the power to shame loses its grip.
The intent feels practical: reclaiming authorship over the image the camera, the press, and the male gaze tried to own. “I can look at myself” is a quiet flex of self-recognition, almost a preemptive rebuttal to the audience that wants her to internalize their scrutiny. She’s describing a mental posture: if she can meet her own body without flinching, why should strangers get to define it as a crisis?
Context matters. Mid-century European cinema and Hollywood both traded on nudity as a publicity engine, but rarely granted actresses the dignity of saying, simply, “This is my body, and it’s not a scandal.” By shifting the focus to “all the people” walking around nude, Andress normalizes what’s usually fetishized. The subtext is a refusal of moral drama: if nudity can be ordinary, then the power to shame loses its grip.
Quote Details
| Topic | Confidence |
|---|
More Quotes by Ursula
Add to List








