"I have taken this step because I want the discipline, the fire and the authority of the Church. I am hopelessly unworthy of it, but I hope to become worthy"
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There is a bracing lack of prettiness here: Sitwell isn’t shopping for comfort, she’s enlisting. “Discipline, the fire and the authority” reads like a triad of forces she believes modern life, and perhaps modern art, can’t reliably supply. It’s a poet reaching for structure strong enough to hold a volatile inner weather. The phrasing has the clang of self-sentencing, but it’s also a kind of self-rescue: authority not as mere obedience, but as a counterweight to drift.
Sitwell’s genius is the audacity of pairing “fire” with “authority.” One word suggests purification and ecstatic intensity; the other suggests hierarchy, rule, limits. She wants both, implying that for her the Church is not a soft refuge but a furnace with guardrails. That tension is the point. It frames faith as something that can energize the imagination precisely by restraining it.
Then she punctures any whiff of spiritual glamour: “hopelessly unworthy.” The adverb is theatrical, almost intentionally excessive, a Sitwellian flourish that admits vanity even as it renounces it. Subtext: she knows conversion can look like a bid for moral prestige, so she disarms the suspicion by making herself small in advance.
The last clause is the turn that matters: not “I am worthy,” not even “I will be,” but “I hope to become.” Worthiness becomes a practice, not a status. In a 20th-century literary culture enamored of autonomy, Sitwell is proposing a counter-modern aspiration: to submit, not to disappear, but to be remade.
Sitwell’s genius is the audacity of pairing “fire” with “authority.” One word suggests purification and ecstatic intensity; the other suggests hierarchy, rule, limits. She wants both, implying that for her the Church is not a soft refuge but a furnace with guardrails. That tension is the point. It frames faith as something that can energize the imagination precisely by restraining it.
Then she punctures any whiff of spiritual glamour: “hopelessly unworthy.” The adverb is theatrical, almost intentionally excessive, a Sitwellian flourish that admits vanity even as it renounces it. Subtext: she knows conversion can look like a bid for moral prestige, so she disarms the suspicion by making herself small in advance.
The last clause is the turn that matters: not “I am worthy,” not even “I will be,” but “I hope to become.” Worthiness becomes a practice, not a status. In a 20th-century literary culture enamored of autonomy, Sitwell is proposing a counter-modern aspiration: to submit, not to disappear, but to be remade.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
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