"I have taught history on the high school and college levels, and am or have been a lecturer at the Smithsonian, The National Institutes of Health, and numerous colleges and universities, mostly on science fiction and technology subjects"
About this Quote
Credential-stacking like this is a genre move: not quite bragging, not quite apology, more like a preemptive strike against the sneer that science fiction still attracts in “serious” rooms. Jack L. Chalker isn’t just telling you where he’s worked; he’s building a passport for ideas that often get treated as contraband. High school and college teaching signals range and legitimacy. Smithsonian and NIH do something sharper: they yank sci-fi and technology out of the fan convention basement and place them under museum glass and lab fluorescence, where “speculation” becomes adjacent to public knowledge.
The phrasing “am or have been” is quietly defensive, too. It anticipates the nitpicks: employment statuses, titles, the bureaucracy of credibility. Chalker writes like someone who has spent time around gatekeepers and learned the ritual language that gets you admitted. That matters because his subject area sits at the contested border between imagination and expertise. By framing his talks as “mostly on science fiction and technology subjects,” he insists those belong together - that the future isn’t only engineered, it’s narrated.
The subtext: I know the canon, I know the institutions, and I still choose the so-called low genre because it’s where cultural anxieties about power, bodies, and machines get processed first. In the late 20th century, when tech accelerated and SF battled for literary respectability, this kind of bio-bibliography worked as a shield and a sales pitch: trust the storyteller, he’s been in the rooms where the future gets discussed.
The phrasing “am or have been” is quietly defensive, too. It anticipates the nitpicks: employment statuses, titles, the bureaucracy of credibility. Chalker writes like someone who has spent time around gatekeepers and learned the ritual language that gets you admitted. That matters because his subject area sits at the contested border between imagination and expertise. By framing his talks as “mostly on science fiction and technology subjects,” he insists those belong together - that the future isn’t only engineered, it’s narrated.
The subtext: I know the canon, I know the institutions, and I still choose the so-called low genre because it’s where cultural anxieties about power, bodies, and machines get processed first. In the late 20th century, when tech accelerated and SF battled for literary respectability, this kind of bio-bibliography worked as a shield and a sales pitch: trust the storyteller, he’s been in the rooms where the future gets discussed.
Quote Details
| Topic | Teaching |
|---|---|
| Source | Help us find the source |
More Quotes by Jack
Add to List



