"I have the satisfaction of knowing I did something useful for society"
About this Quote
There’s a sly defensiveness baked into John Cameron’s tidy little victory lap: “I have the satisfaction of knowing I did something useful for society.” A writer claiming “useful” is never just bragging; it’s a preemptive argument with every person who’s ever asked what writing is for, or implied it’s decorative labor dressed up as vocation. The sentence reads like a private receipt he can hold up to himself when the market shrugs, when critics nitpick, when the work feels like shouting into a well.
The phrase “the satisfaction of knowing” matters. It places the reward in interior certainty, not in applause or metrics. That’s either admirable self-reliance or a subtle acknowledgment that external validation is unreliable - especially for writers, whose impact often arrives late, sideways, or invisibly. “Something useful” is deliberately modest, even evasive. Not “great,” not “important,” not “art.” Useful is the word you use to make art legible in a world that worships utility: it hints at practical consequences (informing, persuading, warning, documenting) without demanding a parade.
Then there’s “for society,” a big, baggy claimant that raises the stakes and also spreads them out. It suggests Cameron is thinking beyond individual readers toward the collective: public understanding, civic health, cultural memory. The subtext is a quiet rebuttal to cynicism about words - and a reminder that the writer’s most radical act can be to insist that sentences, at their best, are public infrastructure.
The phrase “the satisfaction of knowing” matters. It places the reward in interior certainty, not in applause or metrics. That’s either admirable self-reliance or a subtle acknowledgment that external validation is unreliable - especially for writers, whose impact often arrives late, sideways, or invisibly. “Something useful” is deliberately modest, even evasive. Not “great,” not “important,” not “art.” Useful is the word you use to make art legible in a world that worships utility: it hints at practical consequences (informing, persuading, warning, documenting) without demanding a parade.
Then there’s “for society,” a big, baggy claimant that raises the stakes and also spreads them out. It suggests Cameron is thinking beyond individual readers toward the collective: public understanding, civic health, cultural memory. The subtext is a quiet rebuttal to cynicism about words - and a reminder that the writer’s most radical act can be to insist that sentences, at their best, are public infrastructure.
Quote Details
| Topic | Meaning of Life |
|---|---|
| Source | Help us find the source |
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