"I have the wherewithal to challenge myself for my entire life. That's a great gift"
About this Quote
There is something quietly defiant in Tharp calling self-challenge a form of wealth. “Wherewithal” is finance language smuggled into an artist’s credo: the resource she’s naming isn’t just money, or even stamina, but a durable inner infrastructure - discipline, curiosity, and the hard-earned ability to keep generating problems worth solving. For a dancer, that matters. The body is the medium and the clock. Injury, aging, and changing taste don’t just threaten a career; they threaten your instrument. So framing lifelong challenge as a “gift” flips the usual narrative of decline. It’s not “I can still do it.” It’s “I can still want to do it.”
The subtext is Tharp’s trademark pragmatism: artistry isn’t a lightning strike, it’s a practice of setting traps for your complacency and walking into them on purpose. Challenge becomes a renewable resource, not a one-time ambition you cash out when the awards arrive. That’s also a subtle flex against the romantic myth of the dancer as a creature of youth and instinct. Tharp’s legacy is choreography that behaves like a thinking system - cross-genre, methodical, unsentimental about inspiration. The line reads like the ethos behind her books and rehearsal-room culture: keep raising the bar, not because suffering is noble, but because growth is the only reliable way to stay alive in the work.
Calling it a “great gift” lands with gratitude, but it’s earned gratitude - the kind that comes from building a life where difficulty isn’t a threat, it’s proof you’re still in motion.
The subtext is Tharp’s trademark pragmatism: artistry isn’t a lightning strike, it’s a practice of setting traps for your complacency and walking into them on purpose. Challenge becomes a renewable resource, not a one-time ambition you cash out when the awards arrive. That’s also a subtle flex against the romantic myth of the dancer as a creature of youth and instinct. Tharp’s legacy is choreography that behaves like a thinking system - cross-genre, methodical, unsentimental about inspiration. The line reads like the ethos behind her books and rehearsal-room culture: keep raising the bar, not because suffering is noble, but because growth is the only reliable way to stay alive in the work.
Calling it a “great gift” lands with gratitude, but it’s earned gratitude - the kind that comes from building a life where difficulty isn’t a threat, it’s proof you’re still in motion.
Quote Details
| Topic | Self-Improvement |
|---|---|
| Source | Help us find the source |
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