"I have three degrees in history and only one in law, but since I came back to specialize in constitutional law where history is so essentially a part and an explanation of much that exists, the two disciplines blended very well"
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There is a quiet flex in Scott's arithmetic: three degrees in history, one in law, and a career that refuses to respect the boundary between the two. As a poet speaking about constitutional law, he turns credential-counting into a wry argument about what expertise actually is. The line reads like modest autobiography, but its real move is cultural: it reframes law not as a sealed technical system but as a living artifact with a backstory.
Scott's intent is to legitimize a hybrid identity in a world that tends to sort people into single-use categories. By emphasizing that history is "essentially a part" of constitutional law, he smuggles in a critique of legal formalism the idea that the Constitution can be interpreted purely through internal logic, precedent, or textual precision. He suggests that interpretation is inseparable from origin stories, political struggles, and the sediment of past compromises. If you want to understand what "exists", you have to understand why it came to exist.
The subtext is also about authority. Scott isn't apologizing for coming from poetry; he's staking a claim that the humanities train a kind of perception the legal profession often underrates: attention to context, motive, and the way language accrues power over time. Coming from a Canadian intellectual milieu where constitutional questions orbit identity, federalism, and rights, his blend feels less like personal preference than a method. The Constitution, in his telling, is not only a legal document but a historical narrative still being edited.
Scott's intent is to legitimize a hybrid identity in a world that tends to sort people into single-use categories. By emphasizing that history is "essentially a part" of constitutional law, he smuggles in a critique of legal formalism the idea that the Constitution can be interpreted purely through internal logic, precedent, or textual precision. He suggests that interpretation is inseparable from origin stories, political struggles, and the sediment of past compromises. If you want to understand what "exists", you have to understand why it came to exist.
The subtext is also about authority. Scott isn't apologizing for coming from poetry; he's staking a claim that the humanities train a kind of perception the legal profession often underrates: attention to context, motive, and the way language accrues power over time. Coming from a Canadian intellectual milieu where constitutional questions orbit identity, federalism, and rights, his blend feels less like personal preference than a method. The Constitution, in his telling, is not only a legal document but a historical narrative still being edited.
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| Topic | Learning |
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