"I have to detach myself completely from aspirations. I hardly ever listen to music anymore because it arouses all of this yearning in me"
About this Quote
Laura Hillenbrand speaks from the trench between the life imagined and the life possible. Struck in young adulthood by myalgic encephalomyelitis/chronic fatigue syndrome, she spent years largely homebound, wracked by vertigo and exhaustion, writing Seabiscuit and Unbroken through phone interviews and archives she could access from a small room. For someone so constrained, aspiration can become a blade: picturing the races you cannot attend, the journeys you cannot make, the ordinary errands that feel like expeditions. To keep functioning, she learns to mute the emotional amplifiers that turn limits into torment.
Music becomes the emblem of that peril. It is an engine of desire, a portal to motion, crowds, open roads, and a past self unruled by illness. When circumstances make those possibilities unreachable, the longing it awakens is not motivating but corrosive. Detaching from aspirations is not a repudiation of meaning or a lack of ambition; it is triage. She is rationing psychic energy the way a polar explorer rations food, guarded against the spike and crash of yearning that empties the tank and leaves nothing for the work she can still do.
There is a stoic clarity in this discipline. Focus on what is within control, release the rest. For Hillenbrand, that meant narrowing inputs and expectations so that attention could be poured into sentences rather than fantasies. The paradox is striking: a chronicler of resilience and audacity who survives by quieting dreams. Yet the books themselves show how the longing does not vanish; it is transmuted. Deprived of outward motion, it becomes narrative drive, patience, meticulous craft. The lesson is unsentimental and bracing. Sometimes hope must be managed like pain. Yearning can light the path or burn it down, and courage may look less like striving toward a distant horizon than shaping a life tight enough to be livable.
Music becomes the emblem of that peril. It is an engine of desire, a portal to motion, crowds, open roads, and a past self unruled by illness. When circumstances make those possibilities unreachable, the longing it awakens is not motivating but corrosive. Detaching from aspirations is not a repudiation of meaning or a lack of ambition; it is triage. She is rationing psychic energy the way a polar explorer rations food, guarded against the spike and crash of yearning that empties the tank and leaves nothing for the work she can still do.
There is a stoic clarity in this discipline. Focus on what is within control, release the rest. For Hillenbrand, that meant narrowing inputs and expectations so that attention could be poured into sentences rather than fantasies. The paradox is striking: a chronicler of resilience and audacity who survives by quieting dreams. Yet the books themselves show how the longing does not vanish; it is transmuted. Deprived of outward motion, it becomes narrative drive, patience, meticulous craft. The lesson is unsentimental and bracing. Sometimes hope must be managed like pain. Yearning can light the path or burn it down, and courage may look less like striving toward a distant horizon than shaping a life tight enough to be livable.
Quote Details
| Topic | Letting Go |
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