"I have to try different things to see what works best. Other people get impatient with that"
About this Quote
Restlessness is Lucinda Williams' brand of honesty, and this line turns what the industry often calls "indecision" into a method. "I have to try different things" isn’t a shrug; it’s a work ethic. In a music business that loves tidy narratives - the breakthrough album, the signature sound, the repeatable formula - Williams is defending the messy, iterative reality of making art that actually feels lived-in. The sentence is plainspoken, almost rural in its directness, but it quietly draws a boundary: her process is not up for negotiation.
The second line does the sharper work. "Other people get impatient with that" names the social tax on experimentation, especially for an artist whose career has moved at its own pace. Impatience here isn’t just personal; it’s institutional. Labels want deadlines, radio wants categories, critics want coherence, audiences want the old song in a new outfit. Williams points to how those pressures can masquerade as concern ("Are you done yet?") while really functioning as control.
There’s also a gendered undertone without her having to wave a flag. Men who "tinker" are auteurs; women who revise are "difficult". Williams reframes that stereotype by refusing to apologize. The intent is self-protection, but the subtext is defiance: if the work demands detours, then the detours are the work. Her voice, famously weathered and exact, has always sounded like someone who earned every line - and this is the process in miniature.
The second line does the sharper work. "Other people get impatient with that" names the social tax on experimentation, especially for an artist whose career has moved at its own pace. Impatience here isn’t just personal; it’s institutional. Labels want deadlines, radio wants categories, critics want coherence, audiences want the old song in a new outfit. Williams points to how those pressures can masquerade as concern ("Are you done yet?") while really functioning as control.
There’s also a gendered undertone without her having to wave a flag. Men who "tinker" are auteurs; women who revise are "difficult". Williams reframes that stereotype by refusing to apologize. The intent is self-protection, but the subtext is defiance: if the work demands detours, then the detours are the work. Her voice, famously weathered and exact, has always sounded like someone who earned every line - and this is the process in miniature.
Quote Details
| Topic | Self-Improvement |
|---|---|
| Source | Help us find the source |
More Quotes by Lucinda
Add to List




