"I have to wake up and drink chamomile tea to slow down"
About this Quote
It is funny, and a little bleak, that the ritual isn’t “wake up and conquer” but “wake up and sedate.” Janice Dickinson, the self-styled “world’s first supermodel,” has built a public persona on velocity: nightlife, blunt confessionals, chaotic bravado. So the image of chamomile tea - the gentlest, grandma-est coping mechanism imaginable - lands as an intentionally comic mismatch. The line is basically an admission that her default setting is already too loud.
The intent reads less like wellness advice than like brand management. Dickinson sells extremity: a woman who survived (and profited from) an industry that rewards being perpetually “on” - thin, hot, booked, photographed, desired, replaceable. “I have to wake up” signals compulsion, not preference. “To slow down” implies there’s no natural off-switch, only interventions. Chamomile is the symbolic opposite of the stimulants, adrenaline, and attention economy that powered her era of modeling and later reality-TV notoriety. That contrast is the point: she’s telling you she’s still negotiating with the machine, just with softer tools now.
Subtextually, it’s a small critique of the myth of effortless glamour. Behind the face is the maintenance, behind the maintenance is the panic. Dickinson’s candor functions as armor: by making the vulnerability sound punchy, she stays in control of the narrative. The line turns aging, anxiety, and overdrive into a one-liner you can repeat - a way to confess without begging for sympathy.
The intent reads less like wellness advice than like brand management. Dickinson sells extremity: a woman who survived (and profited from) an industry that rewards being perpetually “on” - thin, hot, booked, photographed, desired, replaceable. “I have to wake up” signals compulsion, not preference. “To slow down” implies there’s no natural off-switch, only interventions. Chamomile is the symbolic opposite of the stimulants, adrenaline, and attention economy that powered her era of modeling and later reality-TV notoriety. That contrast is the point: she’s telling you she’s still negotiating with the machine, just with softer tools now.
Subtextually, it’s a small critique of the myth of effortless glamour. Behind the face is the maintenance, behind the maintenance is the panic. Dickinson’s candor functions as armor: by making the vulnerability sound punchy, she stays in control of the narrative. The line turns aging, anxiety, and overdrive into a one-liner you can repeat - a way to confess without begging for sympathy.
Quote Details
| Topic | Self-Care |
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