"I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly"
About this Quote
Sedgwick isn’t talking about “craft” in the precious, awards-season way; she’s talking about a kind of on-set ethics. The key move is that she shifts allegiance away from audience approval and toward the character as a person with rights. “Respect” becomes a safeguard against the entertainment machine’s most convenient habit: flattening a role into a type, a joke, a villain, a trauma dispenser.
There’s a quiet defensiveness in the repetition. “I have… respect” lands like a preemptive rebuttal to an industry that often treats acting as product delivery: hit your marks, sell the line, keep the pace. Sedgwick frames the performance as a relationship, and the fear isn’t that she’ll fail, it’s that she’ll betray. That’s why the bluntness of “screw them” matters. It punctures the polished language actors are expected to use, and it acknowledges how easy it is to exploit a character for a moment of flair, a likability bump, or a story beat that lands cleanly but rings false.
The subtext: realism isn’t just an aesthetic choice, it’s a refusal. Refusal to condescend to the people a character represents, refusal to launder messy motives into neat psychology, refusal to treat even “unlikable” roles as disposable. It also hints at Sedgwick’s lane as a performer: not the showiest transformation, but the steady insistence that every role has an interior life worth honoring. In an era of antiheroes and memeable scenes, she’s arguing for honesty as a form of respect, and respect as the thing that keeps performance from turning predatory.
There’s a quiet defensiveness in the repetition. “I have… respect” lands like a preemptive rebuttal to an industry that often treats acting as product delivery: hit your marks, sell the line, keep the pace. Sedgwick frames the performance as a relationship, and the fear isn’t that she’ll fail, it’s that she’ll betray. That’s why the bluntness of “screw them” matters. It punctures the polished language actors are expected to use, and it acknowledges how easy it is to exploit a character for a moment of flair, a likability bump, or a story beat that lands cleanly but rings false.
The subtext: realism isn’t just an aesthetic choice, it’s a refusal. Refusal to condescend to the people a character represents, refusal to launder messy motives into neat psychology, refusal to treat even “unlikable” roles as disposable. It also hints at Sedgwick’s lane as a performer: not the showiest transformation, but the steady insistence that every role has an interior life worth honoring. In an era of antiheroes and memeable scenes, she’s arguing for honesty as a form of respect, and respect as the thing that keeps performance from turning predatory.
Quote Details
| Topic | Movie |
|---|
More Quotes by Kyra
Add to List






