"I have tried, in all the ways I can, to make timeless music"
About this Quote
Timelessness is a dangerous word for a working musician because it sounds like an escape hatch from trend, taste, and time itself. Judy Collins uses it anyway, and the gamble tells you what kind of artist she’s been: less interested in winning a moment than in outlasting it. “I have tried” is doing quiet, crucial work here. It frames the ambition as craft and discipline rather than destiny, a long apprenticeship to songs sturdy enough to survive changing radio formats, shifting politics, and the churn of youth culture.
The subtext is a rebuttal to the way the music industry trains artists to be disposable. Collins came up in the folk revival, a scene built on the idea that songs are communal property and moral testimony, not just product. When she talks about “timeless music,” she’s pointing to that lineage: ballads, standards, and writerly material that can be reinterpreted without collapsing. It’s also a way of defending a certain kind of vocal intimacy - a voice that doesn’t need spectacle to justify its presence.
There’s something bracingly modest in “in all the ways I can.” Collins isn’t claiming she invented the eternal; she’s admitting the limits of any single career against time’s eraser. The line reads like an artist’s mission statement and a coping mechanism: if you can’t control the charts, you can still control the workmanship. Timelessness, for Collins, isn’t a genre. It’s a refusal to be rushed.
The subtext is a rebuttal to the way the music industry trains artists to be disposable. Collins came up in the folk revival, a scene built on the idea that songs are communal property and moral testimony, not just product. When she talks about “timeless music,” she’s pointing to that lineage: ballads, standards, and writerly material that can be reinterpreted without collapsing. It’s also a way of defending a certain kind of vocal intimacy - a voice that doesn’t need spectacle to justify its presence.
There’s something bracingly modest in “in all the ways I can.” Collins isn’t claiming she invented the eternal; she’s admitting the limits of any single career against time’s eraser. The line reads like an artist’s mission statement and a coping mechanism: if you can’t control the charts, you can still control the workmanship. Timelessness, for Collins, isn’t a genre. It’s a refusal to be rushed.
Quote Details
| Topic | Music |
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