"I have tried to be as eclectic as I possibly can with my professional life, and so far it's been pretty fun"
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There is a sly self-mythology tucked into this supposedly breezy line: Barthes, the grand anatomist of seriousness, letting “pretty fun” do the work of a manifesto. Coming from a critic who spent his career puncturing the illusion that culture is natural, the casual tone reads less like confession than strategy. It’s a refusal of the critic as dour priest, a rebranding of intellectual labor as play, drift, appetite.
“Eclectic” is doing double duty. On the surface it’s career management: a professional life made of zigzags rather than a single disciplinary ladder. In Barthes’s context, that zigzag is the point. He moved between semiology, literary criticism, autobiography, photography, and the study of everyday signs precisely because the boundaries were where ideology hid. To be eclectic is to keep slipping the grasp of institutions that want a thinker legible: structuralist, post-structuralist, Marxist, whatever the filing system demands. Eclecticism becomes an ethics of escape.
The subtext is also defensive, even a little provocative. “Tried” implies agency against pressure; “as I possibly can” hints at constraints (academia, intellectual fashions, the expectation of coherence). Barthes frames his method as lived experience: curiosity as praxis. That final phrase, “so far,” is a wink at contingency. Pleasure is not a reward after the work; it’s evidence the work is honest. If culture is a web of codes, then moving promiscuously among them isn’t dilettantism - it’s fidelity to how meaning actually behaves.
“Eclectic” is doing double duty. On the surface it’s career management: a professional life made of zigzags rather than a single disciplinary ladder. In Barthes’s context, that zigzag is the point. He moved between semiology, literary criticism, autobiography, photography, and the study of everyday signs precisely because the boundaries were where ideology hid. To be eclectic is to keep slipping the grasp of institutions that want a thinker legible: structuralist, post-structuralist, Marxist, whatever the filing system demands. Eclecticism becomes an ethics of escape.
The subtext is also defensive, even a little provocative. “Tried” implies agency against pressure; “as I possibly can” hints at constraints (academia, intellectual fashions, the expectation of coherence). Barthes frames his method as lived experience: curiosity as praxis. That final phrase, “so far,” is a wink at contingency. Pleasure is not a reward after the work; it’s evidence the work is honest. If culture is a web of codes, then moving promiscuously among them isn’t dilettantism - it’s fidelity to how meaning actually behaves.
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| Topic | Career |
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