"I have two children and they're young yet but all of the children that I know really inspire me"
About this Quote
Kilmer’s line has the disarming looseness of something said off-camera, which is exactly why it lands: it frames inspiration not as a lightning bolt, but as a daily, domestic pressure that keeps an artist honest. He starts with the credential that grants him stakes - “I have two children” - then quickly widens the lens to “all of the children that I know,” turning private fatherhood into a broader social observation. That shift matters. It’s a subtle refusal of the celebrity trope where parenting becomes a brand; instead, he positions kids as a community he’s accountable to, not an accessory.
The subtext is humility with an edge of self-correction. “They’re young yet” signals he’s still learning who they’ll become, and maybe who he becomes around them. Children “inspire” because they’re unedited: blunt, imaginative, unimpressed by résumé. For an actor - a profession built on performance and reputation - that kind of presence is both grounding and destabilizing. Kids don’t care about the myth; they respond to the person in front of them. The line implies that the best creative fuel isn’t praise but proximity to people who haven’t learned cynicism or social scripts.
Contextually, this reads like a public figure reaching for a safe sentiment, then inadvertently revealing something sharper: adulthood can calcify, careers can narrow your emotional palette, and children reopen it. In a culture that prizes “relevance,” Kilmer points to a different metric - aliveness.
The subtext is humility with an edge of self-correction. “They’re young yet” signals he’s still learning who they’ll become, and maybe who he becomes around them. Children “inspire” because they’re unedited: blunt, imaginative, unimpressed by résumé. For an actor - a profession built on performance and reputation - that kind of presence is both grounding and destabilizing. Kids don’t care about the myth; they respond to the person in front of them. The line implies that the best creative fuel isn’t praise but proximity to people who haven’t learned cynicism or social scripts.
Contextually, this reads like a public figure reaching for a safe sentiment, then inadvertently revealing something sharper: adulthood can calcify, careers can narrow your emotional palette, and children reopen it. In a culture that prizes “relevance,” Kilmer points to a different metric - aliveness.
Quote Details
| Topic | Parenting |
|---|---|
| Source | Help us find the source |
More Quotes by Val
Add to List





