"I have walked around the same streets so many times, and then seen a place that had been hidden to me. I now know the sites in a way that makes me think I could have made better use of the connections between place and snowball"
About this Quote
Repetition is supposed to dull the senses; Goldsworthy insists it can sharpen them. The first sentence reads like a confession from someone who knows how easily we let familiarity flatten a landscape into mere route. “The same streets” are an accusation against autopilot: you can pass through a place for years and still not meet it. Then the pivot: a “place…hidden to me.” Hidden not by geography, but by attention. In Goldsworthy’s world, discovery isn’t about exotic travel; it’s about a reset of perception, the kind his ephemeral, site-specific works demand.
The second sentence gets stranger, and more revealing. “Sites” carries the double meaning of location and sight, as if he’s learned to see the street as a material. The phrase “connections between place and snowball” is classic Goldsworthy: disarmingly plain, almost childlike, and quietly radical. A snowball is temporary, portable, and destined to change state. Pairing it with “place” sets up a tension between the fixed and the fleeting. He’s suggesting that his medium isn’t just snow, stone, or leaves, but relationships: temperature, surface, timing, thaw.
The subtext is artistic self-critique. “Could have made better use” implies missed chances, a sense that the environment offered more collaboration than he took. It’s also a manifesto against studio thinking: art happens when you notice the hidden affordances of the everyday, before they melt.
The second sentence gets stranger, and more revealing. “Sites” carries the double meaning of location and sight, as if he’s learned to see the street as a material. The phrase “connections between place and snowball” is classic Goldsworthy: disarmingly plain, almost childlike, and quietly radical. A snowball is temporary, portable, and destined to change state. Pairing it with “place” sets up a tension between the fixed and the fleeting. He’s suggesting that his medium isn’t just snow, stone, or leaves, but relationships: temperature, surface, timing, thaw.
The subtext is artistic self-critique. “Could have made better use” implies missed chances, a sense that the environment offered more collaboration than he took. It’s also a manifesto against studio thinking: art happens when you notice the hidden affordances of the everyday, before they melt.
Quote Details
| Topic | Nature |
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