"I have worked with a great many comedians as opposed to comics, although I have worked with comics as well, I make the distinction"
About this Quote
Bobby Darin is quietly drawing a class line inside show business, and it lands because he does it in the language of a working entertainer, not a critic. “Comedians” versus “comics” sounds like hair-splitting until you hear what he’s protecting: craft, polish, and professionalism in an industry that often rewards raw nerve and quick hustle.
The phrasing is doing a lot of work. “I have worked with a great many…” is résumé talk, a way of claiming authority without bragging outright. Then he swerves: “as opposed to” sets up a value judgment, but he softens it with a concession (“although…as well”), like he knows the distinction could be read as snobbery. That little self-edit is the tell. Darin wants the listener to accept the hierarchy as practical, not personal.
In mid-century American entertainment, the difference mattered. “Comedian” points to a performer built for rooms that demand timing, structure, and repeatable excellence: set pieces, orchestration, an act that can survive the same joke told on the 30th night of a tour. “Comic” evokes the looser club circuit energy: personality-forward, reactive, maybe rougher around the edges. Darin, a singer who moved between nightclubs, television, and film, is aligning himself with the former world: the one that treats laughs like choreography.
Subtext: he’s not just sorting funny people. He’s signaling what kind of stage he believes he belongs on - and what kind of discipline he thinks deserves the spotlight.
The phrasing is doing a lot of work. “I have worked with a great many…” is résumé talk, a way of claiming authority without bragging outright. Then he swerves: “as opposed to” sets up a value judgment, but he softens it with a concession (“although…as well”), like he knows the distinction could be read as snobbery. That little self-edit is the tell. Darin wants the listener to accept the hierarchy as practical, not personal.
In mid-century American entertainment, the difference mattered. “Comedian” points to a performer built for rooms that demand timing, structure, and repeatable excellence: set pieces, orchestration, an act that can survive the same joke told on the 30th night of a tour. “Comic” evokes the looser club circuit energy: personality-forward, reactive, maybe rougher around the edges. Darin, a singer who moved between nightclubs, television, and film, is aligning himself with the former world: the one that treats laughs like choreography.
Subtext: he’s not just sorting funny people. He’s signaling what kind of stage he believes he belongs on - and what kind of discipline he thinks deserves the spotlight.
Quote Details
| Topic | Witty One-Liners |
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