"I have written 20 books, and each one is like having a baby. Writing is not easy; some people want to write books but just can't put a story together. I can put together a story that interests both me and my readers"
About this Quote
There is something deliciously brazen in Jackie Collins comparing her backlist to childbirth: it smuggles in tenderness while flexing endurance. The metaphor isn’t just about pain and effort; it’s about ownership. A “baby” is intimate, noisy, and undeniably yours, which reframes commercial fiction not as disposable entertainment but as labor that leaves a mark on the body and on time. Collins, often dismissed by gatekeepers as “airport” reading, uses the domestic image to reclaim seriousness without begging for literary approval.
The second move is sharper: she draws a line between wanting to write and being able to. That distinction carries a faint scolding edge, aimed at the romantic myth that creativity is mostly vibes and inspiration. For Collins, writing is craft, assembly, structure. “Just can’t put a story together” is a quiet dig at the aspirational talkers and the prestige culture that prizes aura over output.
Then she lands the brand thesis: the real trick is satisfying both “me and my readers.” It’s a two-way contract, not a compromise. Collins is defending a kind of populist professionalism: pleasure is not accidental, and mass appeal is not a moral failure. In the context of her career - prolific, scandal-adjacent, consistently readable - the quote functions as a manifesto for the working novelist, especially a woman in a field that loves to police women’s “seriousness.” She’s saying: I did the hard part, repeatedly, and people kept showing up.
The second move is sharper: she draws a line between wanting to write and being able to. That distinction carries a faint scolding edge, aimed at the romantic myth that creativity is mostly vibes and inspiration. For Collins, writing is craft, assembly, structure. “Just can’t put a story together” is a quiet dig at the aspirational talkers and the prestige culture that prizes aura over output.
Then she lands the brand thesis: the real trick is satisfying both “me and my readers.” It’s a two-way contract, not a compromise. Collins is defending a kind of populist professionalism: pleasure is not accidental, and mass appeal is not a moral failure. In the context of her career - prolific, scandal-adjacent, consistently readable - the quote functions as a manifesto for the working novelist, especially a woman in a field that loves to police women’s “seriousness.” She’s saying: I did the hard part, repeatedly, and people kept showing up.
Quote Details
| Topic | Writing |
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