"I haven't had a stationary home since going with the circus, but since my parents lived in Lafayette about 25 years ago and my sister lives here now, I always claim it as home"
About this Quote
Home, for Emmett Kelly, isn’t an address; it’s a line he delivers with a shrug that doubles as a survival strategy. As a circus entertainer, he’s describing a life built on motion: trains, tents, one-night towns, the constant teardown and rebuild. The phrase "stationary home" is doing quiet work here. It doesn’t just mean he lacks a fixed house; it suggests that stability itself has become a foreign concept, something other people can afford but a working performer can only borrow in passing.
Kelly’s genius is in how he reclaims the word anyway. "I always claim it as home" isn’t sentimental; it’s jurisdiction. He’s staking a right to belonging based on family geography rather than personal permanence. The timeline matters: parents in Lafayette "about 25 years ago", sister "here now". Home becomes a relay baton passed through relatives, a place you can anchor to even if you never fully stop. That’s the subtext of itinerant labor in America: the worker moves, the family node stays, and identity gets tethered to whatever remains constant.
There’s also a performer’s instinct in the phrasing: he preemptively explains himself, as if answering an interviewer’s question about where he’s from. In a culture that treats roots as proof of authenticity, Kelly offers a workaround. He can’t be local in the literal sense, so he becomes local by declaration. It’s a small, telling act of self-authorship from someone whose job was to make audiences feel at home in a temporary world.
Kelly’s genius is in how he reclaims the word anyway. "I always claim it as home" isn’t sentimental; it’s jurisdiction. He’s staking a right to belonging based on family geography rather than personal permanence. The timeline matters: parents in Lafayette "about 25 years ago", sister "here now". Home becomes a relay baton passed through relatives, a place you can anchor to even if you never fully stop. That’s the subtext of itinerant labor in America: the worker moves, the family node stays, and identity gets tethered to whatever remains constant.
There’s also a performer’s instinct in the phrasing: he preemptively explains himself, as if answering an interviewer’s question about where he’s from. In a culture that treats roots as proof of authenticity, Kelly offers a workaround. He can’t be local in the literal sense, so he becomes local by declaration. It’s a small, telling act of self-authorship from someone whose job was to make audiences feel at home in a temporary world.
Quote Details
| Topic | Sister |
|---|---|
| Source | Help us find the source |
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