"I haven't seen the Eiffel Tower, Notre Dame, the Louvre. I haven't seen anything. I don't really care"
About this Quote
There is a special kind of flex in admitting you missed the Eiffel Tower and don’t care. Banks’ line reads like anti-tourism, but the subtext is more specific: it’s a working person’s shrug inside an industry that sells fantasy. Paris isn’t a pilgrimage when it’s your office. For a model, “seeing” the city is often reduced to call times, fittings, fluorescent backstage corridors, and the blunt fact of jet lag. The famous landmarks become wallpaper you pass on the way to a job where your body and image are the product.
The intent feels defensive and liberating at once. Defensive, because it punctures the expectation that international travel must produce tasteful awe. Liberating, because it refuses the performance of gratitude that public figures are pressured to supply: the “pinch me” script. By saying “I haven’t seen anything,” Banks reframes what counts as experience. She’s been in Paris, but not the Paris you’re supposed to consume. The line quietly drags the myth of glamorous cosmopolitanism into the light and shows the labor behind it.
It also plays as a cultural moment: early-2000s celebrity candor before “relatable” became a brand strategy. The flat “I don’t really care” is the punchline and the armor. It’s not ignorance so much as a boundary, a reminder that proximity to icons doesn’t automatically confer meaning - and that for people whose careers are built on being looked at, choosing not to look back can be its own power move.
The intent feels defensive and liberating at once. Defensive, because it punctures the expectation that international travel must produce tasteful awe. Liberating, because it refuses the performance of gratitude that public figures are pressured to supply: the “pinch me” script. By saying “I haven’t seen anything,” Banks reframes what counts as experience. She’s been in Paris, but not the Paris you’re supposed to consume. The line quietly drags the myth of glamorous cosmopolitanism into the light and shows the labor behind it.
It also plays as a cultural moment: early-2000s celebrity candor before “relatable” became a brand strategy. The flat “I don’t really care” is the punchline and the armor. It’s not ignorance so much as a boundary, a reminder that proximity to icons doesn’t automatically confer meaning - and that for people whose careers are built on being looked at, choosing not to look back can be its own power move.
Quote Details
| Topic | Travel |
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