"I haven't travelled that much before so this is the first time I get to see the big cities of Europe. I've never even been to US"
About this Quote
There is a quiet kind of credibility in how unvarnished this sounds: not a rock-star humblebrag, but a practical admission that fame can travel faster than the person living inside it. Ville Valo is essentially puncturing the myth that musicians, especially European ones with international followings, automatically inhabit a jet-set life. The bluntness of "I haven't travelled that much" lands because it runs against the audience's default assumption: if the music crosses borders, surely the artist has, too.
The intent is partly logistical (a tour is doing the traveling for him), partly emotional. "First time I get to see the big cities of Europe" frames Europe not as home turf but as a series of iconic stops he only knows through cultural export: postcards, movies, reputation. It suggests a life that has been localized despite global attention, which makes the moment feel earned rather than curated.
The subtext becomes sharper with "I've never even been to US". For a musician in the late-90s/2000s rock ecosystem, America functions as the industry's supposed proving ground and the ultimate stamp of legitimacy. By presenting the US as an almost absurdly missing checkbox, Valo exposes that idea as contingent: success can be real without that pilgrimage. It's also a subtle nod to the asymmetry of cultural power, where European artists are expected to "arrive" only once they've crossed the Atlantic.
Contextually, it reads like an interview aside that doubles as image-control: disarming, relatable, and gently resistant to the machinery that turns artists into lifestyle brands.
The intent is partly logistical (a tour is doing the traveling for him), partly emotional. "First time I get to see the big cities of Europe" frames Europe not as home turf but as a series of iconic stops he only knows through cultural export: postcards, movies, reputation. It suggests a life that has been localized despite global attention, which makes the moment feel earned rather than curated.
The subtext becomes sharper with "I've never even been to US". For a musician in the late-90s/2000s rock ecosystem, America functions as the industry's supposed proving ground and the ultimate stamp of legitimacy. By presenting the US as an almost absurdly missing checkbox, Valo exposes that idea as contingent: success can be real without that pilgrimage. It's also a subtle nod to the asymmetry of cultural power, where European artists are expected to "arrive" only once they've crossed the Atlantic.
Contextually, it reads like an interview aside that doubles as image-control: disarming, relatable, and gently resistant to the machinery that turns artists into lifestyle brands.
Quote Details
| Topic | Travel |
|---|---|
| Source | Help us find the source |
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