"I heard the Bloc Party record Japan before it came out in the UK as they are on the V2 record label. I think it has a great vibe and has great songs. I also think the Kings of Leon are right up my street"
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Name-dropping here is less about bragging rights than about positioning. Kelly Jones casually notes he heard Bloc Party's record early "as they are on the V2 record label", a line that does quiet industry work: it frames access as incidental, almost bureaucratic, not a flex. He isn't saying, Look how plugged in I am. He's saying, This is how the ecosystem functions when you're inside it. The effect is to normalize tastemaking as part of a working musician's day job, not a critic's detached hobby.
The language is bluntly evaluative - "great vibe", "great songs" - which reads as intentionally unprecious. Jones isn't performing a theory of indie rock; he's signaling allegiance. Bloc Party and Kings of Leon, in the mid-2000s conversation this kind of quote evokes, represented a particular strain of guitar music that was sleek, urgent, and stadium-curious without abandoning "cool". By endorsing them, Jones is nudging himself (and his own band) into that same lane: contemporary, credible, not stuck in yesterday's Britpop hangover.
"I think the Kings of Leon are right up my street" is doing cultural geography. It's vernacular and modest, but it stakes a claim: these are my people, my tempo, my level of grit. Underneath the genial approval is a career-savvy calibration - a musician acknowledging the new center of rock gravity and making sure he's heard speaking the language of the moment.
The language is bluntly evaluative - "great vibe", "great songs" - which reads as intentionally unprecious. Jones isn't performing a theory of indie rock; he's signaling allegiance. Bloc Party and Kings of Leon, in the mid-2000s conversation this kind of quote evokes, represented a particular strain of guitar music that was sleek, urgent, and stadium-curious without abandoning "cool". By endorsing them, Jones is nudging himself (and his own band) into that same lane: contemporary, credible, not stuck in yesterday's Britpop hangover.
"I think the Kings of Leon are right up my street" is doing cultural geography. It's vernacular and modest, but it stakes a claim: these are my people, my tempo, my level of grit. Underneath the genial approval is a career-savvy calibration - a musician acknowledging the new center of rock gravity and making sure he's heard speaking the language of the moment.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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