"I honestly feel like we never had a bad episode by TV standards. Every week I felt there were so many strong components of the show, especially the writing"
About this Quote
There is a defensive confidence baked into Donal Logue's praise: not the kind that claims perfection, but the kind that knows exactly where the bodies are buried. “By TV standards” is the tell. It’s both a humble disclaimer and a strategic reframing, acknowledging the medium’s grind - the punishing schedule, the rotating directors, the network notes - while carving out a pocket of pride inside those constraints. He’s not saying the show was flawless; he’s saying it reliably cleared the bar that usually trips series up.
The line also reads like an actor quietly reassigning credit. Logue points to “strong components,” but he lands on “especially the writing,” a public nod to the invisible labor that keeps a long-running production from turning into content mush. That emphasis isn’t just gracious; it’s a protective charm. Good writing is the thing you can invoke to dignify the compromises actors and crews inevitably make when time and money run short. It’s also the safest way to praise a show without turning the compliment into self-congratulation.
Contextually, this feels like post-run or mid-run testimony from someone who’s lived the weekly stress test of television and emerged with a rare takeaway: consistency. The repetition of “every week I felt” matters. It’s not a retrospective myth of greatness; it’s a memory of momentum - the sense, on set, that the material kept showing up. In an industry where “never had a bad episode” is usually marketing, Logue’s version is closer to a working actor’s benediction: we didn’t embarrass ourselves, and we had scripts worth fighting for.
The line also reads like an actor quietly reassigning credit. Logue points to “strong components,” but he lands on “especially the writing,” a public nod to the invisible labor that keeps a long-running production from turning into content mush. That emphasis isn’t just gracious; it’s a protective charm. Good writing is the thing you can invoke to dignify the compromises actors and crews inevitably make when time and money run short. It’s also the safest way to praise a show without turning the compliment into self-congratulation.
Contextually, this feels like post-run or mid-run testimony from someone who’s lived the weekly stress test of television and emerged with a rare takeaway: consistency. The repetition of “every week I felt” matters. It’s not a retrospective myth of greatness; it’s a memory of momentum - the sense, on set, that the material kept showing up. In an industry where “never had a bad episode” is usually marketing, Logue’s version is closer to a working actor’s benediction: we didn’t embarrass ourselves, and we had scripts worth fighting for.
Quote Details
| Topic | Writing |
|---|
More Quotes by Donal
Add to List

