"I hope before I am getting too old and when my mind is still functioning, I can tell some better stories"
About this Quote
Aging is the quiet antagonist in Zhang Yimou's line, and he treats it like any good director would: not as a melodramatic tragedy, but as a deadline that sharpens the stakes. "Before I am getting too old" frames creativity as a race against biology, yet the real anxiety lands in the next clause: "when my mind is still functioning". He's not worried about losing relevance; he's worried about losing access to the interior machinery that makes stories possible - memory, curiosity, attention, the ability to connect images to meaning.
The modesty of "some better stories" is doing heavy lifting. Zhang is one of the most internationally visible Chinese filmmakers of the last four decades, but he refuses the victory lap. "Better" implies dissatisfaction with what he's already made, a private standard that keeps moving. It's also a canny way to avoid the easy myth of genius: he positions storytelling as craft, not destiny, something you can still improve at if time allows.
Context matters here because Zhang's career has been defined by negotiation: between art-house prestige and state-sanctioned spectacle, between the intimate human dramas of his early films and the mass choreography of later work. In that light, the quote reads less like nostalgia and more like a desire to return to narrative risk - to make films that feel less like assignments and more like discoveries. The subtext is clear: he wants the freedom, and the mental clarity, to choose the stories that matter before choice itself narrows.
The modesty of "some better stories" is doing heavy lifting. Zhang is one of the most internationally visible Chinese filmmakers of the last four decades, but he refuses the victory lap. "Better" implies dissatisfaction with what he's already made, a private standard that keeps moving. It's also a canny way to avoid the easy myth of genius: he positions storytelling as craft, not destiny, something you can still improve at if time allows.
Context matters here because Zhang's career has been defined by negotiation: between art-house prestige and state-sanctioned spectacle, between the intimate human dramas of his early films and the mass choreography of later work. In that light, the quote reads less like nostalgia and more like a desire to return to narrative risk - to make films that feel less like assignments and more like discoveries. The subtext is clear: he wants the freedom, and the mental clarity, to choose the stories that matter before choice itself narrows.
Quote Details
| Topic | Aging |
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