"I invented the psychological histories and the relationship between Jack and Susan Stanton. I didn't know anything about the Clintons. I don't know more about the Clintons' marriage than you do"
About this Quote
A novelist’s most useful alibi is the one that admits everything except the one thing everyone wants: motive. Joe Klein’s insistence that he “invented the psychological histories” and the Stantons’ relationship works like a controlled burn. He concedes the juicy craft choices (psychology, marriage dynamics, intimate backstory) to frame them as pure fabrication, then draws a bright ethical line at the Clintons themselves: he “didn’t know anything,” knows “no more… than you do.” It’s a neat rhetorical reversal. The more he owns the invented interiority, the more he asks you to treat the real-world parallels as coincidence, or at least as the reader’s projection.
The subtext is reputational triage. Klein is speaking from the pressure cooker surrounding Primary Colors, a roman-a-clef that begged to be read as insider reportage with a novelist’s plausible deniability. In the 1990s, Clinton-world politics and scandal culture were merging into a single genre: the campaign as narrative, the marriage as plot device, the press as co-author. Klein’s quote tries to step out of that genre while still cashing its checks.
The repetition of “I don’t know” isn’t humility; it’s prophylaxis. It recasts him as an ordinary observer, not a source, insulating him from accusations of betrayal, libel, or unethical access journalism. At the same time, it quietly flatters the book’s premise: if he knows only what “you do,” then the public record alone is already novelistic enough.
The subtext is reputational triage. Klein is speaking from the pressure cooker surrounding Primary Colors, a roman-a-clef that begged to be read as insider reportage with a novelist’s plausible deniability. In the 1990s, Clinton-world politics and scandal culture were merging into a single genre: the campaign as narrative, the marriage as plot device, the press as co-author. Klein’s quote tries to step out of that genre while still cashing its checks.
The repetition of “I don’t know” isn’t humility; it’s prophylaxis. It recasts him as an ordinary observer, not a source, insulating him from accusations of betrayal, libel, or unethical access journalism. At the same time, it quietly flatters the book’s premise: if he knows only what “you do,” then the public record alone is already novelistic enough.
Quote Details
| Topic | Writing |
|---|
More Quotes by Joe
Add to List
