"I just decided that I would not put my professional life on hold to raise children. I know that sounds selfish to a lot of people and I don't know if what I'm doing is the right thing. But that's the way I'm doing it"
About this Quote
Beart’s line lands with the bluntness of someone refusing to perform the culturally approved version of womanhood. The first clause, “I just decided,” is deceptively casual: it frames a life-altering choice as ordinary, even procedural, which is exactly the point. She’s stripping away the melodrama society demands when women prioritize work, and exposing how strange it is that this decision is treated as a moral crisis in the first place.
The quote’s tension comes from how it anticipates judgment and then refuses to be disciplined by it. “I know that sounds selfish” isn’t an apology so much as a mirror held up to the audience: if it sounds selfish, it’s because the default assumption is that motherhood should eclipse a woman’s identity, ambitions, and time. Beart doesn’t pretend she’s transcended doubt. “I don’t know if what I’m doing is the right thing” acknowledges the real psychic cost of choosing against a script that still carries social penalties. That vulnerability keeps the statement from reading like a manifesto; it’s less ideology than lived negotiation.
Context matters: as an actress, her “professional life” isn’t a stable ladder but a windowed career shaped by age, availability, and a punishing industry clock. “Put on hold” is practically a euphemism for disappearing. The final sentence, “But that’s the way I’m doing it,” is the quiet flex - not defiant bravado, but boundary-setting. She’s claiming authority over her timeline in a culture that treats women’s time as communal property.
The quote’s tension comes from how it anticipates judgment and then refuses to be disciplined by it. “I know that sounds selfish” isn’t an apology so much as a mirror held up to the audience: if it sounds selfish, it’s because the default assumption is that motherhood should eclipse a woman’s identity, ambitions, and time. Beart doesn’t pretend she’s transcended doubt. “I don’t know if what I’m doing is the right thing” acknowledges the real psychic cost of choosing against a script that still carries social penalties. That vulnerability keeps the statement from reading like a manifesto; it’s less ideology than lived negotiation.
Context matters: as an actress, her “professional life” isn’t a stable ladder but a windowed career shaped by age, availability, and a punishing industry clock. “Put on hold” is practically a euphemism for disappearing. The final sentence, “But that’s the way I’m doing it,” is the quiet flex - not defiant bravado, but boundary-setting. She’s claiming authority over her timeline in a culture that treats women’s time as communal property.
Quote Details
| Topic | Work-Life Balance |
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