"I just find it thrilling, especially when I totally lock in to the person that I am doing and I'm really flying... I suppose I am hiding myself when I sing as these other people"
About this Quote
Horrocks describes performance the way adrenaline junkies talk about the perfect run: not pretty, not polite, just electrifying. The key phrase is "totally lock in" - acting and singing as a kind of possession, where technique turns into velocity. "I'm really flying" isn’t metaphorical fluff; it signals the moment performers chase, when self-consciousness drops away and the body becomes an instrument. It’s the opposite of the stereotype that performance is pure exhibitionism. Here, the thrill comes from disappearing.
The subtext sharpens in the pivot: "I suppose I am hiding myself when I sing as these other people". That "I suppose" is doing a lot of work. It softens what could sound like a confession, but it’s also a sly admission that transformation can be a refuge. Horrocks is famous for character work and vocal elasticity - the ability to become someone else through sound as much as through face. Singing "as these other people" suggests she’s not just delivering songs; she’s smuggling whole lives into them. If acting can be read as exposure, her version of singing is camouflage.
Culturally, the quote lands in a moment when celebrities are expected to "be authentic" on command, to narrate their inner selves for public consumption. Horrocks flips that demand. Her authenticity is in the craft, not the confessional. The persona isn’t a mask that betrays the real person; it’s the vehicle that lets her get free of the real person long enough to soar.
The subtext sharpens in the pivot: "I suppose I am hiding myself when I sing as these other people". That "I suppose" is doing a lot of work. It softens what could sound like a confession, but it’s also a sly admission that transformation can be a refuge. Horrocks is famous for character work and vocal elasticity - the ability to become someone else through sound as much as through face. Singing "as these other people" suggests she’s not just delivering songs; she’s smuggling whole lives into them. If acting can be read as exposure, her version of singing is camouflage.
Culturally, the quote lands in a moment when celebrities are expected to "be authentic" on command, to narrate their inner selves for public consumption. Horrocks flips that demand. Her authenticity is in the craft, not the confessional. The persona isn’t a mask that betrays the real person; it’s the vehicle that lets her get free of the real person long enough to soar.
Quote Details
| Topic | Music |
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