"I just think they're really insecure about themselves sometimes. I know all the girls, but we all work a lot and don't have time to hang out together. They're all really nice; I've never had a problem with any model"
About this Quote
Lima’s offhand “I just think they’re really insecure” lands like a quiet rebuke to the mythology of model-world cattiness. Coming from someone positioned as both insider and lightning rod for that stereotype, the line works because it refuses the easy storyline: the beautiful women aren’t villains, they’re workers under pressure. The “just” and “sometimes” are doing careful PR labor, softening what could be read as an indictment into something closer to empathy. She’s not torching her peers; she’s naming a condition.
The subtext is about competition disguised as camaraderie. “I know all the girls” signals access and credibility, then immediately pivots to the real relationship: not intimacy but proximity, enforced by schedules. “We all work a lot and don’t have time to hang out” reads like a deflection, but it’s also an indictment of the fashion machine’s tempo, where closeness is structurally inconvenient. Friendship becomes another luxury item.
Her insistence that “they’re all really nice” and “I’ve never had a problem” isn’t naive; it’s strategic. She’s reframing conflict away from personal drama and toward the internalized anxieties the industry cultivates: constant evaluation, public scrutiny, a body as a résumé. Insecure isn’t a personality flaw here; it’s an occupational hazard. Lima’s intent feels twofold: protect the collective image of models while quietly pointing to the system that profits from keeping them isolated, replaceable, and perpetually comparing.
The subtext is about competition disguised as camaraderie. “I know all the girls” signals access and credibility, then immediately pivots to the real relationship: not intimacy but proximity, enforced by schedules. “We all work a lot and don’t have time to hang out” reads like a deflection, but it’s also an indictment of the fashion machine’s tempo, where closeness is structurally inconvenient. Friendship becomes another luxury item.
Her insistence that “they’re all really nice” and “I’ve never had a problem” isn’t naive; it’s strategic. She’s reframing conflict away from personal drama and toward the internalized anxieties the industry cultivates: constant evaluation, public scrutiny, a body as a résumé. Insecure isn’t a personality flaw here; it’s an occupational hazard. Lima’s intent feels twofold: protect the collective image of models while quietly pointing to the system that profits from keeping them isolated, replaceable, and perpetually comparing.
Quote Details
| Topic | Friendship |
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