"I just to put out the best records I can and perform the best I can"
About this Quote
No grand manifesto, no tortured myth of the artist: just the work. Dave Lombardo's line is almost aggressively plain, and that plainness is the point. In metal, where personas can get as loud as the amps, he sidesteps the identity game and plants his flag in craft: records and performance. Two arenas where you cannot bluff for long.
The specific intent reads like a reset button. "I just" lowers the temperature, framing ambition as discipline rather than ego. He's not promising reinvention, fame, or cultural revolution; he's committing to repeatable excellence. For a drummer especially, this is a quiet flex. Drumming is often treated as support, but in Lombardo's world it's architecture. The difference between a good record and a great one can be the precision of a kick pattern, the bite of a fill, the stamina to stay deadly clean at inhuman tempos.
The subtext is a refusal of narrative clutter: band drama, genre politics, "legacy" talk, even the romance of suffering. It's a musician staking value in outcomes you can hear and feel. There's also an implicit standard of accountability. A "best record" is judged by the ear; "perform the best" gets tested in real time, in front of a crowd that knows every transition.
Context matters: Lombardo comes from a scene that prizes authenticity and punishes complacency. This isn't modesty. It's a mission statement built for longevity - the kind measured in catalog and sweat, not hype cycles.
The specific intent reads like a reset button. "I just" lowers the temperature, framing ambition as discipline rather than ego. He's not promising reinvention, fame, or cultural revolution; he's committing to repeatable excellence. For a drummer especially, this is a quiet flex. Drumming is often treated as support, but in Lombardo's world it's architecture. The difference between a good record and a great one can be the precision of a kick pattern, the bite of a fill, the stamina to stay deadly clean at inhuman tempos.
The subtext is a refusal of narrative clutter: band drama, genre politics, "legacy" talk, even the romance of suffering. It's a musician staking value in outcomes you can hear and feel. There's also an implicit standard of accountability. A "best record" is judged by the ear; "perform the best" gets tested in real time, in front of a crowd that knows every transition.
Context matters: Lombardo comes from a scene that prizes authenticity and punishes complacency. This isn't modesty. It's a mission statement built for longevity - the kind measured in catalog and sweat, not hype cycles.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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