"I just wanted to be an ordinary parish priest"
About this Quote
There’s a sly bait-and-switch in Martin Scorsese saying, “I just wanted to be an ordinary parish priest.” It’s disarmingly modest, almost comic in its understatement, coming from a director whose films are anything but ordinary and whose sensibility is practically liturgical: incense-thick mood, ritual repetition, confession, penance, blood as sacrament.
The intent isn’t to cosplay humility. It’s Scorsese sketching the origin story of his moral obsession. Raised in a Catholic New York where the church and the street competed for your soul, the priesthood represented order, meaning, and a sanctioned way to stare directly at human failure. When he didn’t take vows, he didn’t abandon the vocation; he translated it. The parish became the audience. The confessional became the close-up. The homily became the edit.
Subtext: Scorsese’s cinema is a lifelong negotiation with Catholic grammar. His characters keep reaching for absolution and finding systems that offer only punishment or performance: gangland codes, capitalist hustle, masculine bravado. “Ordinary parish priest” also carries a needle of irony. Ordinary is what he’s never been allowed to be - by talent, by compulsion, by the very intensity that would have made him a problematic priest and makes him an essential filmmaker.
Context matters: this line echoes most loudly against films like Mean Streets, Raging Bull, and Silence, where faith isn’t a decoration but a wound. It’s less a wistful alternate career than a confession that he’s been doing pastoral work all along, just with a camera instead of a collar.
The intent isn’t to cosplay humility. It’s Scorsese sketching the origin story of his moral obsession. Raised in a Catholic New York where the church and the street competed for your soul, the priesthood represented order, meaning, and a sanctioned way to stare directly at human failure. When he didn’t take vows, he didn’t abandon the vocation; he translated it. The parish became the audience. The confessional became the close-up. The homily became the edit.
Subtext: Scorsese’s cinema is a lifelong negotiation with Catholic grammar. His characters keep reaching for absolution and finding systems that offer only punishment or performance: gangland codes, capitalist hustle, masculine bravado. “Ordinary parish priest” also carries a needle of irony. Ordinary is what he’s never been allowed to be - by talent, by compulsion, by the very intensity that would have made him a problematic priest and makes him an essential filmmaker.
Context matters: this line echoes most loudly against films like Mean Streets, Raging Bull, and Silence, where faith isn’t a decoration but a wound. It’s less a wistful alternate career than a confession that he’s been doing pastoral work all along, just with a camera instead of a collar.
Quote Details
| Topic | Faith |
|---|---|
| Source | Help us find the source |
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