"I kept bugging them about making it more upscale, because I felt Abby, through her cleverness and business sense, was a character who would move up. And that's what she did"
About this Quote
There is a particular kind of power in the phrase "I kept bugging them": it frames Donna Mills not as a passive performer grateful for whatever lands on the page, but as an insistent stakeholder shaping the story from the inside. The verb is casual, even slightly self-deprecating, which is a smart rhetorical move. It softens what is, essentially, a negotiation about class, aesthetics, and who gets to be seen as upwardly mobile on television.
Mills roots her argument in character logic rather than vanity. She isnt asking for "upscale" because it looks nicer; she ties it to Abby's "cleverness and business sense". That pairing matters. In so many soap-era narratives, women's ambition is coded as scheming, sexual, or social-climbing in the pettiest sense. Mills reframes it as competence. Abby's ascent becomes earned, not merely acquired.
The subtext is also about authorship and respect: "I felt Abby... was a character who would move up" implies the writers or producers were content to keep her in a certain visual bracket, a certain TV social caste. Mills pushes back against the industry's habit of freezing women characters in whatever packaging first made them legible to audiences. The last line, "And that's what she did", lands like a small victory lap, but it is also a meta-commentary on how fiction can ratify aspiration. When a character "moves up", the show is quietly moving its own idea of what a savvy woman is allowed to look like.
Mills roots her argument in character logic rather than vanity. She isnt asking for "upscale" because it looks nicer; she ties it to Abby's "cleverness and business sense". That pairing matters. In so many soap-era narratives, women's ambition is coded as scheming, sexual, or social-climbing in the pettiest sense. Mills reframes it as competence. Abby's ascent becomes earned, not merely acquired.
The subtext is also about authorship and respect: "I felt Abby... was a character who would move up" implies the writers or producers were content to keep her in a certain visual bracket, a certain TV social caste. Mills pushes back against the industry's habit of freezing women characters in whatever packaging first made them legible to audiences. The last line, "And that's what she did", lands like a small victory lap, but it is also a meta-commentary on how fiction can ratify aspiration. When a character "moves up", the show is quietly moving its own idea of what a savvy woman is allowed to look like.
Quote Details
| Topic | Career |
|---|
More Quotes by Donna
Add to List
