"I know nothing about producing TV drama and any involvement on my part is liable to prove an obstacle to the producers, so I prefer to be a cheerleader and let them get on with it"
About this Quote
Cornwell’s modesty here is less self-effacement than a quiet flex of professionalism: he’s drawing a bright line between writing novels and making television, and he knows that boundary is where a lot of adaptations go to die. The sentence opens with a disarming confession, but it quickly pivots into a claim about competence and control. He’s not saying he doesn’t care; he’s saying he cares enough not to meddle.
The subtext is an experienced author’s hard-won recognition that “involvement” is often code for interference. Fans imagine the novelist as the natural guardian of the story, yet production is a collaborative machine with its own physics: budgets, schedules, casting realities, episodic structure, and the relentless need for visual momentum. Cornwell implicitly acknowledges that his authority on the page doesn’t automatically translate into authority on set. By calling himself “liable to prove an obstacle,” he preempts the common narrative of the sidelined creator by choosing the sidelines.
“Cheerleader” is doing a lot of work. It’s warm, supportive, non-threatening; it also reframes power as restraint. In an era when authors are increasingly expected to serve as brands, executive producers, and social-media referees, Cornwell opts for a posture that protects both parties: producers get room to adapt, and he avoids becoming the scapegoat if choices don’t land with readers. The line reads like a peace treaty between art forms, signed by someone who’s seen how easily creative certainty becomes creative gridlock.
The subtext is an experienced author’s hard-won recognition that “involvement” is often code for interference. Fans imagine the novelist as the natural guardian of the story, yet production is a collaborative machine with its own physics: budgets, schedules, casting realities, episodic structure, and the relentless need for visual momentum. Cornwell implicitly acknowledges that his authority on the page doesn’t automatically translate into authority on set. By calling himself “liable to prove an obstacle,” he preempts the common narrative of the sidelined creator by choosing the sidelines.
“Cheerleader” is doing a lot of work. It’s warm, supportive, non-threatening; it also reframes power as restraint. In an era when authors are increasingly expected to serve as brands, executive producers, and social-media referees, Cornwell opts for a posture that protects both parties: producers get room to adapt, and he avoids becoming the scapegoat if choices don’t land with readers. The line reads like a peace treaty between art forms, signed by someone who’s seen how easily creative certainty becomes creative gridlock.
Quote Details
| Topic | Servant Leadership |
|---|---|
| Source | Help us find the source |
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