"I know that I have lived because I have felt, and, feeling giving me the knowledge of my existence, I know likewise that I shall exist no more when I shall have ceased to feel"
About this Quote
Casanova turns the supposed swagger of a celebrity libertine into something like a private proof of life: sensation as evidence, not indulgence. The line is built on a tight chain of causation - felt, therefore lived - and it’s doing more than defending pleasure. It’s staking existence itself on immediacy. In a world of masks, aliases, prisons, and salons where reputation can be performed and rewritten, feeling becomes the one credential that can’t be forged from the outside.
The intent is quietly radical for an 18th-century figure marketed to us as pure appetite. He’s not celebrating debauchery so much as refusing metaphysical comfort. No soul talk, no grand moral ledger, no promise that a better version of you continues elsewhere. When feeling stops, the self stops. That bluntness reads like early secular modernity: a life measured by intensity and awareness, not by afterlife or lineage.
Subtext: Casanova is also arguing for his memoirs. If feeling is the proof of existence, then recording feeling is a way to extend presence socially even as he denies literal continuation. The sentence performs that paradox: he rejects immortality while making a bid for it through language.
Context matters. Casanova lived under church power and aristocratic surveillance, where desire could be both currency and crime. Framing sensation as epistemology is a sly counter-authority move: the body, not doctrine, tells the truth. It’s hedonism with a dark edge - less “live fast” than “don’t lie to yourself about the lights going out.”
The intent is quietly radical for an 18th-century figure marketed to us as pure appetite. He’s not celebrating debauchery so much as refusing metaphysical comfort. No soul talk, no grand moral ledger, no promise that a better version of you continues elsewhere. When feeling stops, the self stops. That bluntness reads like early secular modernity: a life measured by intensity and awareness, not by afterlife or lineage.
Subtext: Casanova is also arguing for his memoirs. If feeling is the proof of existence, then recording feeling is a way to extend presence socially even as he denies literal continuation. The sentence performs that paradox: he rejects immortality while making a bid for it through language.
Context matters. Casanova lived under church power and aristocratic surveillance, where desire could be both currency and crime. Framing sensation as epistemology is a sly counter-authority move: the body, not doctrine, tells the truth. It’s hedonism with a dark edge - less “live fast” than “don’t lie to yourself about the lights going out.”
Quote Details
| Topic | Mortality |
|---|---|
| Source | Help us find the source |
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