"I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way"
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Costello is admitting, without apology, that accessibility is a choice, not an accident. He’s talking like a craftsman who knows exactly which tools do what: The Delivery Man, with its story-songs and immediate emotional cues, is built to land on first listen. Il Sogno, by contrast, signals the detour into orchestral, wordless, slower-burn territory where meaning arrives through texture and patience. The “contrast” isn’t a self-correction; it’s a strategic alternation between two kinds of seriousness.
The phrase “very direct way” is doing double duty. On the surface it’s about melody, narrative, and plainspoken songwriting - the pop tradition Costello has always treated as a high art. Underneath it’s a comment on cultural bandwidth: most listeners don’t have time to decode, and the industry doesn’t reward work that asks them to. He’s not sneering at the “wider audience”; he’s acknowledging the reality that communication is shaped by format. A record can be brilliant and still fail to connect if it doesn’t offer a handhold.
There’s also a quiet defense here against the old criticism that “serious” artists should always be difficult. Costello frames reach as a form of responsibility: directness isn’t selling out, it’s choosing clarity. It’s the veteran move of someone who’s spent decades toggling between experiment and craft, insisting that the bridge between them is intention.
The phrase “very direct way” is doing double duty. On the surface it’s about melody, narrative, and plainspoken songwriting - the pop tradition Costello has always treated as a high art. Underneath it’s a comment on cultural bandwidth: most listeners don’t have time to decode, and the industry doesn’t reward work that asks them to. He’s not sneering at the “wider audience”; he’s acknowledging the reality that communication is shaped by format. A record can be brilliant and still fail to connect if it doesn’t offer a handhold.
There’s also a quiet defense here against the old criticism that “serious” artists should always be difficult. Costello frames reach as a form of responsibility: directness isn’t selling out, it’s choosing clarity. It’s the veteran move of someone who’s spent decades toggling between experiment and craft, insisting that the bridge between them is intention.
Quote Details
| Topic | Music |
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