"I learned to speak first, and then to sign. I have never really known what it was like to hear, so I can't compare hearing aids to normal hearing"
About this Quote
Matlin’s plainspoken sequencing - speak first, then sign - quietly rewrites the usual narrative arc that hearing audiences expect. The cultural script often treats speech as the “default” destination and sign as a workaround. She flips that into biography, not ideology: this is simply how her life unfolded, and the simplicity is the point. It refuses the inspirational framing that so often follows Deaf public figures, where every detail gets converted into a lesson for the non-Deaf viewer.
The second sentence is the sharper blade. “I can’t compare hearing aids to normal hearing” rejects a whole market of assumptions: that technology restores you to baseline, that “normal” is a stable, universally accessible reference point, that the ideal endgame is approximation. Matlin isn’t criticizing hearing aids; she’s puncturing the way hearing people ask Deaf people to serve as product reviewers for a world they’re presumed to be missing. The subtext is a boundary: stop demanding a translation of her experience into your terms.
Context matters here because Matlin’s celebrity was built in an industry obsessed with legibility - award shows, talk shows, press junkets - all structured around sound. Her statement insists that Deafness isn’t a before-and-after story of loss and repair. It’s an origin story. The power is in its anti-drama: she doesn’t perform tragedy or triumph, just authority over what comparison is even allowed.
The second sentence is the sharper blade. “I can’t compare hearing aids to normal hearing” rejects a whole market of assumptions: that technology restores you to baseline, that “normal” is a stable, universally accessible reference point, that the ideal endgame is approximation. Matlin isn’t criticizing hearing aids; she’s puncturing the way hearing people ask Deaf people to serve as product reviewers for a world they’re presumed to be missing. The subtext is a boundary: stop demanding a translation of her experience into your terms.
Context matters here because Matlin’s celebrity was built in an industry obsessed with legibility - award shows, talk shows, press junkets - all structured around sound. Her statement insists that Deafness isn’t a before-and-after story of loss and repair. It’s an origin story. The power is in its anti-drama: she doesn’t perform tragedy or triumph, just authority over what comparison is even allowed.
Quote Details
| Topic | Health |
|---|---|
| Source | Help us find the source |
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