Marriage Quote by Nana Mouskouri

She delivers the punchline with a singer's timing: the real flex isn’t being seated with "important people", it’s walking away from them. Mouskouri frames the move as casual, almost domestic - lunch with her husband and a few friends - but the subtext is a quiet refusal of the social machinery that turns artists into ceremonial objects. The reception is "organised in my honour", yet she treats it like stage dressing: something arranged around her, not for her.

"Important people" is deliberately vague, a deflating phrase that collapses the whole hierarchy into a single, faintly ridiculous category. It reads like someone who has spent decades in rooms full of prestige and has stopped being impressed by any of it. The amusement comes from the inversion: etiquette says the honoree performs gratitude, accepts proximity to power, and plays along. Mouskouri opts for intimacy over optics, suggesting that the only truly important people are the ones you choose when no one is watching.

Context matters here. As a globally famous musician - and a woman who built a long career across languages, markets, and institutions - she’d have been endlessly "honoured" in ways that can feel like soft control: smile for the photo, sit where you're placed, validate the event by being compliant. Her line lands because it’s not a manifesto. It’s a shrug with teeth, reminding us how often "honour" is just a polite way of managing someone else's status game.