"I like directors who come on the set and create something that's a little dangerous, difficult or unusual"
About this Quote
The phrasing matters: he doesn’t say directors who “know what they want,” the usual auteur flex. He likes directors who “create” a condition. That word makes discomfort a designed environment, not an accident. “Dangerous” signals risk - emotional, social, reputational - the possibility that a scene might fail, or that the actor might feel exposed. “Difficult” implies friction: the work should resist you, because resistance reveals where the truth is buried. “Unusual” is the aesthetic payoff, the evidence that you didn’t default to habits.
Context sharpens the edge. Kazan came up in the Group Theatre ethos, then became a key translator of Method acting to film, coaxing combustible performances in A Streetcar Named Desire and On the Waterfront. He also lived with the permanent controversy of testifying before HUAC - a real-world reminder that “danger” isn’t only artistic. That history haunts the line: he’s drawn to risk on set partly because he knows what it costs off it. The subtext is almost transactional: give me the controlled peril of art so I don’t have to settle for the deadening safety of mere professionalism.
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APA Style (7th ed.)
Kazan, Elia. (2026, January 15). I like directors who come on the set and create something that's a little dangerous, difficult or unusual. FixQuotes. https://fixquotes.com/quotes/i-like-directors-who-come-on-the-set-and-create-145426/
Chicago Style
Kazan, Elia. "I like directors who come on the set and create something that's a little dangerous, difficult or unusual." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/i-like-directors-who-come-on-the-set-and-create-145426/.
MLA Style (9th ed.)
"I like directors who come on the set and create something that's a little dangerous, difficult or unusual." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/i-like-directors-who-come-on-the-set-and-create-145426/. Accessed 9 Feb. 2026.






