"I like marriage. The idea"
About this Quote
A single beat of punctuation does most of the work here: "I like marriage. The idea". Morrison splits desire from institution with a scalpel. The first sentence sounds companionable, almost bourgeois in its ease. Then she snaps the thought in half and leaves the reader staring at the gap between fantasy and lived reality. That period is the whole argument: marriage can be a beautiful story people tell themselves, and a grinding structure people get trapped inside.
Coming from Morrison, the line lands as more than a wry quip about romance. Her novels are crowded with characters negotiating the terms of belonging - to family, to community, to history - under conditions they did not choose. "Marriage" isn’t just intimacy; it’s a social contract with paperwork, economics, gender expectations, and, in the American context she anatomized, racialized pressures that shape who gets protected, who gets owned, who gets disappeared. Liking "the idea" reads like a confession of wanting the promise without consenting to the machinery.
The subtext is also about language itself: Morrison loved myths, archetypes, the seductive pull of narrative. "The idea" is marriage as a story with a clean arc. The unsaid second clause is marriage as it actually operates - a set of roles that can erase a self, especially a woman’s self, especially a Black woman’s self. It’s a tiny sentence that refuses to be sentimental, but it’s not anti-love; it’s pro-clarity.
Coming from Morrison, the line lands as more than a wry quip about romance. Her novels are crowded with characters negotiating the terms of belonging - to family, to community, to history - under conditions they did not choose. "Marriage" isn’t just intimacy; it’s a social contract with paperwork, economics, gender expectations, and, in the American context she anatomized, racialized pressures that shape who gets protected, who gets owned, who gets disappeared. Liking "the idea" reads like a confession of wanting the promise without consenting to the machinery.
The subtext is also about language itself: Morrison loved myths, archetypes, the seductive pull of narrative. "The idea" is marriage as a story with a clean arc. The unsaid second clause is marriage as it actually operates - a set of roles that can erase a self, especially a woman’s self, especially a Black woman’s self. It’s a tiny sentence that refuses to be sentimental, but it’s not anti-love; it’s pro-clarity.
Quote Details
| Topic | Marriage |
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