"I like people who shake other people up and make them feel uncomfortable"
About this Quote
Morrison’s attraction to people who “shake other people up” isn’t just a taste for chaos; it’s a manifesto for the kind of art he wanted to make, and the kind of cultural role he wanted to play. In the late 1960s, rock frontmen weren’t merely entertainers. They were lightning rods for a generation testing how far you could push sex, language, authority, and the unspoken rules of public behavior. “Uncomfortable” is the keyword: he’s naming disruption as a virtue, not a side effect.
The intent reads as both admiration and self-description. Morrison frames agitation as a social service: if someone can make you squirm, they’re probably touching a nerve you’ve been protecting with politeness. The subtext is a critique of complacency, especially the middle-class urge to keep everything smooth, safe, and consumable. Comfort becomes suspect, a narcotic that keeps people docile; discomfort becomes proof of life.
It also works as a kind of moral alibi for provocation. By praising the shaker-upper, Morrison recasts scandal as clarity. If audiences are offended, that’s evidence the performance is doing its job, not failing it. Coming from a musician whose persona blurred poetry, ritual, and confrontation, the line doubles as stage direction: art should be a disturbance, not background noise. Morrison isn’t chasing outrage for its own sake; he’s defending the right to unsettle a culture that confuses being calm with being awake.
The intent reads as both admiration and self-description. Morrison frames agitation as a social service: if someone can make you squirm, they’re probably touching a nerve you’ve been protecting with politeness. The subtext is a critique of complacency, especially the middle-class urge to keep everything smooth, safe, and consumable. Comfort becomes suspect, a narcotic that keeps people docile; discomfort becomes proof of life.
It also works as a kind of moral alibi for provocation. By praising the shaker-upper, Morrison recasts scandal as clarity. If audiences are offended, that’s evidence the performance is doing its job, not failing it. Coming from a musician whose persona blurred poetry, ritual, and confrontation, the line doubles as stage direction: art should be a disturbance, not background noise. Morrison isn’t chasing outrage for its own sake; he’s defending the right to unsettle a culture that confuses being calm with being awake.
Quote Details
| Topic | Deep |
|---|---|
| Source | Help us find the source |
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