"I like surfers. Their imagery, it's great"
About this Quote
Ray Davies praising surfers is less about saltwater athleticism than about aesthetics: the clean, mythic picture of a subculture that looks like it was designed by a camera. “Their imagery” is the tell. Surfers aren’t being admired here as people with boards; they’re being admired as an instantly legible icon set - sun-bleached hair, endless summer light, effortless cool, a lifestyle that reads in silhouettes. For a musician whose whole career is bound up with observation and character, that visual shorthand is catnip.
There’s also a sly distance in the phrasing. “I like surfers” sounds warm, but it’s broad and slightly impersonal, like someone talking about a billboard or a movie genre. Davies isn’t claiming membership; he’s admitting fascination. He’s attracted to the way surf culture sells freedom as a look - a portable fantasy, exportable far beyond any coastline. That’s especially resonant coming from a British artist who built songs around England’s class cues and everyday constraints; surfers represent the opposite: motion, leisure, youth, a body-first identity.
Contextually, Davies lived through pop’s great era of style-as-story, when scenes could be conjured in three chords and one outfit. Surf music and its visual world were a ready-made cinematic universe for rock to borrow from, critique, or romanticize. His line lands because it’s honest about what pop often does: fall in love with images, then write feelings into them.
There’s also a sly distance in the phrasing. “I like surfers” sounds warm, but it’s broad and slightly impersonal, like someone talking about a billboard or a movie genre. Davies isn’t claiming membership; he’s admitting fascination. He’s attracted to the way surf culture sells freedom as a look - a portable fantasy, exportable far beyond any coastline. That’s especially resonant coming from a British artist who built songs around England’s class cues and everyday constraints; surfers represent the opposite: motion, leisure, youth, a body-first identity.
Contextually, Davies lived through pop’s great era of style-as-story, when scenes could be conjured in three chords and one outfit. Surf music and its visual world were a ready-made cinematic universe for rock to borrow from, critique, or romanticize. His line lands because it’s honest about what pop often does: fall in love with images, then write feelings into them.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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