"I like terra firma; the more firma, the less terra"
About this Quote
Kaufman turns a bit of mock-Latin into a perfect little sneer at romance, adventure, and the cult of the “authentic.” “Terra firma” is supposed to reassure you: solid ground, no drama, the safe return to reality. He flips it by treating the phrase like a bad contract clause. If “firma” means firm, stable, dependable, then give him that in bulk; keep the “terra” (the earth, the outdoors, the raw and muddy business of nature) to a minimum. It’s a joke built on a linguistic hiccup: the more you insist on the literal meaning, the more absurd the idiom becomes.
The intent isn’t merely wordplay. It’s Kaufman’s stage-bred worldview: a preference for controlled environments over elemental mess, for polish over pastoral. You can hear the dramatist in it - the man who made his living in rooms where everything is arranged, timed, and rewritten until it lands. Nature doesn’t take notes; audiences do.
Subtextually, it’s also a class and temperament tell. “Less terra” reads like an urbane refusal of camping, seasickness, and any experience marketed as wholesome character-building. Kaufman’s comedy often needles pretension, and here he needles the pretension of people who talk about “getting back to basics” while quietly wanting room service.
Context matters: early-20th-century American theater was both glamorous and industrial, a machine for manufacturing laughter. Kaufman’s line fits that modern sensibility: distrust the grand outdoorsy myth, embrace the man-made, the reliable, the firmly constructed.
The intent isn’t merely wordplay. It’s Kaufman’s stage-bred worldview: a preference for controlled environments over elemental mess, for polish over pastoral. You can hear the dramatist in it - the man who made his living in rooms where everything is arranged, timed, and rewritten until it lands. Nature doesn’t take notes; audiences do.
Subtextually, it’s also a class and temperament tell. “Less terra” reads like an urbane refusal of camping, seasickness, and any experience marketed as wholesome character-building. Kaufman’s comedy often needles pretension, and here he needles the pretension of people who talk about “getting back to basics” while quietly wanting room service.
Context matters: early-20th-century American theater was both glamorous and industrial, a machine for manufacturing laughter. Kaufman’s line fits that modern sensibility: distrust the grand outdoorsy myth, embrace the man-made, the reliable, the firmly constructed.
Quote Details
| Topic | Puns & Wordplay |
|---|---|
| Source | Help us find the source |
More Quotes by George
Add to List






