"I like that band Get Hustle. They're cool live. I haven't heard their records, though"
About this Quote
It is rare to hear an indie-rock elder admit, with total ease, that his opinion is basically a half-formed vibe. Malkmus’s line deflates the sacred-cow idea that taste must be comprehensive to be valid. In one breath he grants Get Hustle credibility ("cool live"), and in the next he pulls the rug out from under the usual critic-brain impulse to certify that credibility via the recorded canon. The result is a small act of cultural realism: most people experience music in fragments, through a night out, a friend’s insistence, a festival slot, a clip.
The intent reads as both generous and evasive. He wants to cosign the band without claiming ownership of them, and without placing himself in the gatekeeper’s chair. That matters coming from Malkmus, whose own legacy (Pavement, and the long afterlife of 90s slacker authority) could easily turn every casual remark into a blessing. He’s careful not to turn enthusiasm into institutional power.
The subtext also nudges at a quiet hierarchy inside guitar culture: records are the archive, the thing you’re supposed to have studied; live shows are messy, social, contingent. By privileging the live impression while admitting he’s missed the "proper" homework, he flips that hierarchy. It’s a reminder that cool, in the real world, often arrives as an event, not a discography.
Contextually, it fits the Malkmus persona: allergic to overstatement, skeptical of expertise-as-performance, and comfortable sounding slightly unbothered. The wit is in its understatement: a compliment that refuses to become a thesis.
The intent reads as both generous and evasive. He wants to cosign the band without claiming ownership of them, and without placing himself in the gatekeeper’s chair. That matters coming from Malkmus, whose own legacy (Pavement, and the long afterlife of 90s slacker authority) could easily turn every casual remark into a blessing. He’s careful not to turn enthusiasm into institutional power.
The subtext also nudges at a quiet hierarchy inside guitar culture: records are the archive, the thing you’re supposed to have studied; live shows are messy, social, contingent. By privileging the live impression while admitting he’s missed the "proper" homework, he flips that hierarchy. It’s a reminder that cool, in the real world, often arrives as an event, not a discography.
Contextually, it fits the Malkmus persona: allergic to overstatement, skeptical of expertise-as-performance, and comfortable sounding slightly unbothered. The wit is in its understatement: a compliment that refuses to become a thesis.
Quote Details
| Topic | Music |
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