"I like the idea of making big budget films with a heart. I like graphic novels more than comic books"
About this Quote
Matthew Vaughn is pitching a brand in two quick moves: scale, then sincerity. “Big budget films with a heart” is less a sentimental slogan than a defense against the common indictment of blockbusters as soulless product. He’s staking out the sweet spot his movies often chase: the spectacle economy (franchises, set pieces, global box office) harnessed to an emotional throughline that lets audiences feel they’re buying a story, not just a ride. The subtext is pragmatic. Heart isn’t only virtue; it’s insulation. If a film is loud but caring, it’s easier to forgive the noise.
Then he drops the preference: “graphic novels more than comic books.” That phrasing signals taste and legitimacy. In the cultural hierarchy, “graphic novel” still functions as an adult passport stamp - longer arcs, richer themes, bookshelf respectability - while “comic book” gets unfairly parked in the kiddie aisle. Vaughn isn’t merely describing what he reads; he’s pointing to the kind of IP he wants to adapt and how he wants it perceived. It’s a producer’s way of saying: I’m not raiding childhood; I’m mining contemporary myth with literary cachet.
Placed in the context of Vaughn’s career (Layer Cake, Kick-Ass, X-Men: First Class, Kingsman), the quote reads like a mission statement for post-2000s pop cinema: take the adrenalized grammar of superhero and spy fantasies, then sneak in a pulse - and claim a slightly higher rung on the culture ladder while you’re at it.
Then he drops the preference: “graphic novels more than comic books.” That phrasing signals taste and legitimacy. In the cultural hierarchy, “graphic novel” still functions as an adult passport stamp - longer arcs, richer themes, bookshelf respectability - while “comic book” gets unfairly parked in the kiddie aisle. Vaughn isn’t merely describing what he reads; he’s pointing to the kind of IP he wants to adapt and how he wants it perceived. It’s a producer’s way of saying: I’m not raiding childhood; I’m mining contemporary myth with literary cachet.
Placed in the context of Vaughn’s career (Layer Cake, Kick-Ass, X-Men: First Class, Kingsman), the quote reads like a mission statement for post-2000s pop cinema: take the adrenalized grammar of superhero and spy fantasies, then sneak in a pulse - and claim a slightly higher rung on the culture ladder while you’re at it.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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