"I look back on my life like everybody does but not just career. I mean I look back on my life as a whole, so I don't think that I dwell there or anything and in terms of work I hope that there is a lot in front of me"
About this Quote
That opening move - "like everybody does" - is doing a lot of quiet work. Hershey frames reflection as ordinary, almost obligatory, then immediately widens the lens: "but not just career". For an actress whose public identity has always been tied to roles, reviews, and era-defining films, the pivot is a small refusal. She is pushing back against the industry habit of turning a life into a highlight reel and calling it a narrative.
The syntax matters: it’s conversational, a little winding, full of softeners ("I mean", "or anything"). That looseness reads less like vagueness than self-protection. Women in entertainment are trained to manage how nostalgia lands: too much looking back and you’re "past your prime"; too little and you’re "ungrateful" or "in denial". "I don't think that I dwell there" is a defensive line delivered as modesty. It’s Hershey insisting she’s not auditioning for the cultural role of The Former Star.
Then she lands on the real point: "in terms of work I hope that there is a lot in front of me". Not certainty, not entitlement - hope. That word acknowledges the precarious math of acting, especially for older women, where opportunity is never guaranteed and ambition must be expressed carefully to avoid sounding delusional. The subtext is endurance: a lifetime measured in more than credits, and a career still argued for in the present tense.
The syntax matters: it’s conversational, a little winding, full of softeners ("I mean", "or anything"). That looseness reads less like vagueness than self-protection. Women in entertainment are trained to manage how nostalgia lands: too much looking back and you’re "past your prime"; too little and you’re "ungrateful" or "in denial". "I don't think that I dwell there" is a defensive line delivered as modesty. It’s Hershey insisting she’s not auditioning for the cultural role of The Former Star.
Then she lands on the real point: "in terms of work I hope that there is a lot in front of me". Not certainty, not entitlement - hope. That word acknowledges the precarious math of acting, especially for older women, where opportunity is never guaranteed and ambition must be expressed carefully to avoid sounding delusional. The subtext is endurance: a lifetime measured in more than credits, and a career still argued for in the present tense.
Quote Details
| Topic | Life |
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